Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
“What exam?” I asked her.
“The official Austrian state-certified whatchamacallit, sweetie—his ski-instructor exam!” she exclaimed.
How could I forget the Hannes Schneider–Sepp Ruschp connection? The stem christie, the downhill turn that was the signature of the Arlberg technique—the turn that would replace the telemark turn. I can remember my mother saying, wistfully, how the stem christie itself would be replaced; gradually, it was. By the late 1960s, the parallel turn was more popular. I remember my mom telling me that my old-fashioned stem christie made me look like I was barely better than a snowplower. At the time, my turns were barely better than snowplow turns.
What would really kill the stem christie were the parabolic skis of the late 1990s—or so my mother always said. “Those new skis made parallel turns easy,” I remember my mom telling me. “Even for you, sweetie,” she added, squeezing my hand.
It was not lost on me that the Austrian Hannes Schneider came to Cranmore Mountain in North Conway, New Hampshire, in 1939. Sepp Ruschp, who had learned from Schneider, came to Mount Mansfield in Stowe, Vermont, in 1936. And one of Schneider’s former students, Toni Matt—the Austrian who schussed the headwall of Tuckerman Ravine (the glacial cirque on the southeast face of Mount Washington, New Hampshire) at an estimated top speed of 85 miles per hour—won both the combined and the downhill events on Aspen Mountain in 1941. Toni Matt had moved to the U.S. from Austria in 1938.
Yet my mom made little mention of Toni Matt that championship weekend in Aspen. Instead, I heard all about the “crude boat-tow ski lift”; my mother said the lift took you only a quarter of the way up. “You had to sidestep the rest of the way,” she said; she wasn’t complaining. Nor did she gripe about the fact that the participants helped to prepare the course. “Everyone pitched in,” was how my mom put it.
I heard so much about Jerome B. Wheeler, I was at first confused; I thought he was one of the skiers in competition. “Poor Jerome,” my mother usually prefaced what she said about him. From what I’d heard her say about Roch Run, the first ski trail at Aspen—a challenging run, named for the Swiss mountaineer and avalanche expert André Roch—I assumed poor Jerome was a skier who’d fallen and been badly injured on Roch Run.