Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

“As for the plots of my parents’ Nazi-era novels, like their Cold War novels…” Elliot Barlow quietly persisted. Then he paused. Everyone’s attention was drawn to the childlike behavior of the unfulfilled emeritus. He was not only eating voraciously; he was attempting to feed himself with a serving spoon, which was too big for his mouth. “The plots are all the same,” Elliot now resumed. “The killer is never caught. It helps that he’s killing bad people—no one’s trying very hard to catch him. Cynical characters, bleak nonendings,” the snowshoer concluded; his voice petered out. His heart wasn’t in it, and what was the point?

Martin and Johan were poised to interrupt him—Johan, in two languages. The hand-holding under the table had not convinced Abigail and Martha that Elliot Barlow was heterosexually inclined. My grandmother was an old-fashioned literary snob; Nana had never finished a single one of Simenon’s novels—she said she’d tried. She didn’t care for Eric Ambler, either. She claimed she’d never heard of Patricia Highsmith, but Nana had liked the Hitchcock film (Strangers on a Train) adapted from Highsmith’s first novel. It wouldn’t have mattered to my grandmother to hear that Patricia Highsmith, who was born in Texas, was better published and more widely read in German than in English, or that Elliot Barlow’s parents had made their living from murder novels.

“Mord, mehr Morde, noch mehr Morde!” Uncle Johan interjected, which he immediately translated into English, thus giving me an insightful glimpse of his repetitious classroom technique. “Murder, more murders, still more murders! The Germans take murder more seriously than we do—I mean, as literature,” Uncle Johan explained.

“I want to be completely honest with you,” the snowshoer blurted out, speaking directly to my mother and looking only at her.

“Yes, I feel the same way about you!” my mom didn’t hesitate to tell him, in her breathless fashion. My aunts had stopped breathing; they were praying for a confession of pederasty from the little English teacher. Even my uncles stopped talking. By the way Elliot Barlow suddenly sat bolt upright at the table, I could tell my mother must have grabbed his knee or his thigh. I’d missed seeing when they finished the first and second beers they’d been sharing—now I saw they had halfway finished their third.