Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

I’d admired the third-person, deadpan omniscience of Em’s narration when I read Come Hang Yourself and gave Em my notes. I knew we were each other’s editors, for the foreseeable future—given that the little English teacher was gone. Before long, Em would find her reading voice in Moby-Dick—she was channeling Ishmael, the antithesis of a deadpan narrator. In those long car rides, listening to Em as Ishmael—giving voice to her most ferocious first-person—I thought Cardinal O’Connor was lucky. If the son of a bitch had baptized Bonkers Nathanson after Em’s long voyage on the Pequod—I mean, all the way to the doomed ship’s encounter with the white whale—Em as Ishmael might have held the ass-kissing cardinal accountable. Yet Em seemed to have let her grievances against Cardinal O’Connor go. A benign gesture—like Ishmael imagining that Queequeg seems to be saying to himself, “We cannibals must help these Christians.” We’ll see, I was thinking.

Ishmael’s first-person voice, as expansive as the sea itself, would affect more than the way Em read aloud. The pitch and timbre of Em’s speaking voice began to change. Even as a beginner, she’d spoken with intensity—as if she’d been channeling Nora. Since she’d met Ishmael, Em was channeling a sailor; her voice was lower and less strident, but she was no less intense. In fact, she sounded more forceful—more masculine than Nora.

“First-person male,” Grace called Em’s newfound reading and speaking voice. It seemed wrong to Grace that Em, who was so feminine in her appearance, should sound like a sailor, but I felt differently about the change in Em. She’d not just found her voice in reading Moby-Dick aloud; aboard the Pequod, Em had found and embraced a bigger world.

In the strong, low voice in which she read aloud to me—“ ‘It was the whiteness of the whale that above all things appalled me’ ”—Em also said, “Stop the car, I have to pee.” (No wonder—with all the reading aloud, Em was drinking a lot of water.) And when Em read Moby-Dick to me, I thought of Emmanuelle—the high school student who’d been charged with exposing herself, mooning and flashing her titties on the Swasey Parkway.

The “Police Report” had cited “an outrage to public decency,” but I was just embarrassed. At thirty-eight, I’d not known Emmanuelle was a high school kid. She’d been reading Moby-Dick to my grandmother. Emmanuelle was the one who found Nana—dead in bed, with that big book. I still wondered if Emmanuelle had noticed Nana’s thumb between the pages—if Emmanuelle knew where in Moby-Dick my grandmother was reading when she died.