Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

That night, when Molly went home, she took Mr. Barlow with her—the two of them leaving my mom asleep upstairs in our house. When I was getting into bed with Grace, she said she was sorry she ever used the word weird for anyone in my family. “Em is alone tonight—I doubt she’s sleeping with your mother,” Grace told me. “You should go find Em and sleep with her—I know you would rather be in bed with Em than with me, anyway,” Grace said, but she said it nicely. There was no edge to it. “Just don’t sleep with your mom,” Grace added, as I went looking for Em. That had an edge to it.

I found Em in the guest bedroom I’d moved my clothes to. “You have enough clothes for the rest of your life,” Em said to me. “I’m sorry about your mom,” she said, holding me while I cried. “You’re my rescue job now,” Em told me. A little later, she said, “I’ve not thought about two writers living together—I’m trying to imagine it.”

“I’ve thought about it—I can imagine it,” I told her. My hand inadvertently touched her breast. I hadn’t meant to touch her there. I put my hand somewhere more neutral, like her hip—a bony part of her hip, I think, but I’m not sure where my hand ended up.

“You imagine things faster than I can—as a writer,” Em said.

“Imagining things faster isn’t necessarily a virtue—not as a writer,” I said.

“The idea of two writers living together—I’m trying to imagine it,” Em repeated. Very slowly, but deliberately, she took my hand from her hip, or wherever that bony part was, putting it back on her breast. We fell asleep this way—two writers, trying to imagine what was possible.

In the morning, around the time Matthew usually came looking for me, Em reminded me that my mother was alone in one of the guest bedrooms. “You should be with her, I think—I’ll bet Ray would like that,” Em said.