Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
Molly had sautéed some salmon steaks with tomatoes and black olives, and she’d baked an apple pie. There was no drinking to speak of. Catherine kept telling us she was the driver; she didn’t drink at all. The rest of us weren’t knocking back the beer. After his second helping of pie, Arthur was antsy to leave; his pajamas and the ball drop beckoned him home, although the Barretts lived close by and it was nowhere near midnight. When my mom and Molly went out, the night groomer never had more than two beers; Molly was always the driver. “I’ll drive you home, Grace, when Ray and I go home—if you want to stay and watch the ball drop with us,” the trail groomer told her.
The lead-up to the ball drop was already on TV, after the elder Barretts went home and Grace was helping us clean up in the kitchen. Grace and I rinsed the dishes and loaded the dishwasher, while my mother and Molly wiped down the dining-room table and put away the leftovers. That was when Grace made two observations about Em and me, as writers. “I know you and Emily MacPherson are friends, and your writing has certain similarities—you both write about dysfunctional families, and you both like semicolons,” Grace said.
I told Grace how I hadn’t known Emily MacPherson was writing fiction until my students and I started reading her at the Iowa Writers’ Workshop. Em had never told me, I explained to Grace. “But you and Em must write to each other now, don’t you? Writers who are friends write to each other, don’t they?” Grace asked me. As an editor, Grace understood fiction, and she knew fiction writers.
“Em is writing a third-person omniscient novel right now,” I started to say, but I already knew I couldn’t bullshit Grace. I didn’t try to convince Grace that writing a novel in the third person precluded Em from writing me in the first person. “Em needs to feel a sense of detachment from herself in order to write about the Gallows Lounge shooting. I think Em needs to live in the third person for a while—maybe writing letters is too personal right now. We seem to have stopped writing letters to each other, for now,” I told Grace. My mom and Molly kept quiet.
“Em seems eccentric, even for a fiction writer,” Grace said.
“Em is eccentric—isn’t she, sweetie?” my mother called from the dining room. I looked at Molly, who was putting the leftover salmon and apple pie in the fridge. The old ski patroller just stared back at me, as if my inside edges were in need of attention.