Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
While I’d been reading, I could hear Em taking a bath. When I’d finished the new pages, I could tell that she had gone to bed. She was starting out the night in the snowshoer’s bedroom, not with me—that was clear. I certainly understood what was private about the new pages of Em’s letter, but I showed the pages to Elliot Barlow. “Am I crazy, or is Em crazy?” I asked Mr. Barlow, handing her the pages. My good stepfather had always been my first reader; now the little English teacher was my copy editor, too. Here I was, in my late forties, still seeking her advice. According to Em, I still wasn’t a grown-up.
I saw Elliot frown when she was reading the pages; she sighed when she gave them back to me. “This is between you and Em. Of course you’re crazy—you’re both crazy,” the snowshoer said. The little English teacher revealed she had more to say when she began to pace, as if a classroom of students sat in front of her, and behind her was a blackboard where she’d already written something of importance—something she was poised to say. “I didn’t see you, Adam, or your jumping jacks—I was on all fours, you’ll recall; I wasn’t looking in the direction of the stage. But I certainly heard you taunting Trowbridge. ‘You were never in the Marine Corps—you never did anything!’ I heard you tell him. You certainly sounded like you wanted him to shoot you, Adam,” Mr. Barlow said.
“I just knew it would have killed me if he shot Em,” I told the little English teacher.
“The way you looked at her must have made this clear to Em,” the snowshoer said.
“If she were only halfway interested, I would ask Em to marry me!” I blurted out.
“I believe Em knows this, Adam—I think this is the problem,” Mr. Barlow said.
“I don’t know how I look when I’m looking at Em—I can’t see myself when I’m seeing her,” I said to the snowshoer.
“I’ve seen you when you’re imagining, Adam—mostly, when you’re writing,” the little English teacher told me. “I know how you look when you look at Em—like you’re writing the end of the story. You’re imagining that you and Em are a couple, that you’re already together—this is how you look at her,” the snowshoer said.