Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Trowbridge’s hatred of Mr. Barlow began before the little English teacher’s transition to a woman. Elliot Barlow had been among the first on the faculty to advocate for coeducation at Exeter. The backup heavyweight with the long arms stopped attending the home wrestling matches after girls were admitted to the academy. Trowbridge wrote in a notebook that he couldn’t concentrate on the wrestling—“not with all the girls around.” Yet this unwelcome distraction, purportedly caused by coeducation at Exeter, didn’t stop Trowbridge from attending the girls’ soccer or field-hockey games in the fall; the girls’ basketball games, or their swimming and diving, in the winter; the girls’ softball games, or their track meets, in the spring. Wrestling was a winter sport, but Trowbridge became a steadfast spectator in all three seasons of athletics at Exeter; his hatred of seeing all the girls at his old school somehow compelled him to scrutinize them. Emory Trowbridge wrote derogatory things in his diaries about the girls he watched playing sports. Had Trowbridge been stalking the girl students at the academy, in the obsessive way he’d watched Nora and Em at the Gallows? What was written about Emory Trowbridge was largely speculative; his motives remained murky. Yet, in the media coverage of the Gallows Lounge shooting, there was more about Trowbridge than there was about Nora.

The New York Times was not Nora’s friend. The paper condemned the Gallows Lounge shooting and duly noted the “exceptional valor” of Elliot Barlow, but there was more than a whiff of reproach in the way the writer for the Times characterized Nora and Em’s “incendiary antics”—their “purposeful vulgarity.”

Elsewhere in New York, there was some love expressed for the Gallows; there was notably more love for Two Dykes, One Who Talks. Nora had been interviewed in Rolling Stone, where the Two Dykes were praised for their “political prescience.”

The Village Voice pointed out the noticeable lack of a security presence on that Friday night at the Gallows Lounge. When the shooting started, the bouncer went out on the sidewalk—ostensibly, to inform the security guard of the trouble inside. One of the bartenders had already called the cops. It was unexplained why the security guard stayed on the sidewalk. To prevent people from entering the club until the police arrived or the shooting stopped? That Friday night, a spokesperson for the Gallows couldn’t confirm if the guard had been armed. All the idiot management would say was that sometimes the security guard had a gun, sometimes not. “We know,” the writer for the Voice would write. Of the New York media covering popular culture, the Voice and Rolling Stone had been alone in paying tribute to Damaged Don when he was gunned down in a parking lot in Montana for singing “Goin’ Back to Great Falls” to a Reaganite.