Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

From the stage, Em and I saw how the snowshoer had persevered; her small, strong hands still had hold of the killer’s heels. The force of the second shot had blown Trowbridge backward; his head wound left a smear of blood on the wall of the lounge, where he slid sideways as he fell, dragging the little English teacher after him. The pretty Mr. Barlow’s hand strength has been accounted for; when she was dragged across the floor at the back of the lounge, she’d not given up her grip on the shooter. One newspaper report was syndicated to two hundred (or more) other papers—Elliot Barlow was called “the only hero.” She was sixty, she was four feet nine, yet she was the only one who confronted the Gallows Lounge killer—she went after him, on all fours. Eventually, when Emory Trowbridge’s diaries revealed that Elliot Barlow had been an intended victim, Mr. Barlow would be outed. In one entry, the brave trans woman would be called not an actual woman but a former wrestler, and Trowbridge wrote worse things about her in other entries. While some journalists didn’t hesitate to call the Gallows Lounge shooting a hate crime—in more than one instance, a singling out of sexual minorities—other journalists categorized the killing as part of a widespread societal misogyny. There would be some nonsense about a commando-minded murder-suicide—in which the killer targets a specific group, usually in a public space—but the biggest bullshit would be perpetrated by the Trowbridge family psychiatrist. The psychiatrist said that Emory’s primary motivation was suicide—specifically, a homicide-suicide strategy that entailed killing himself after killing others. The psychiatrist concluded that this was a sign of a serious personality disorder. It’s impossible to know what Nora would have said about this assessment, or how Em might have pantomimed the disorder.

There was no actual suicide letter—only the diary entries in Trowbridge’s notebooks. Criminal-justice officials decided that a public inquiry or extensive public discussion of the Gallows Lounge shooting would cause pain to the families and could lead to more violence against sexual minorities. Speaking as Nora’s most immediate family, Henrik had not expressed any pain; he was “estranged” from his cousin, the Republican congressman wanted everyone to know. Henrik had mentioned Nora’s “left-wing political radicalism” as the cause of his estrangement.

Emory Trowbridge’s father wanted everyone to know he was “estranged” from his son. “His mother is entirely to blame—Emory was a mama’s boy,” was all the divorced dad had to say.

Emory’s mom said she had worried that Emory would “hurt himself.” She believed Emory suffered from “attachment disorder—due to his being abandoned by his bad dad,” the mom said.