Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

That was when I heard the snowshoer say, “Shit—not a broomstick!” She didn’t whisper. I should never have looked away from our marine, who was not a marine. When I looked again at the back of the lounge now, the small heavyweight had removed the rifle from the long sack slung over his shoulder—not a gift bag, I was thinking, when I saw the tall Santa take aim, sighting down the barrel.

We would later read that there was nothing special about the inexpensive gun—a bolt-action .30-06 Springfield with a magazine that held four rounds. We would learn that it was Emory Trowbridge’s intention to shoot Em first; he’d written in a notebook that he wanted Nora to know Em was dead before he shot Nora. After that, if he had time, he would shoot Mr. Barlow. The fourth bullet was for Emory Trowbridge himself. Not knowing his diary entries, I saw Trowbridge take aim at Em—that was all I knew.

In the dispersing crowd, most of the remaining audience were waiting for the next act, whether they were sitting or standing. From the stage, Nora and Em had the clearest view of the Santa with the long arms and the rifle. They had no reason to recognize Emory Trowbridge; they’d not been at Coach Dearborn’s memorial service. I saw that Em had found a new way to pantomime being paralyzed by fear—Em knew where the gun was pointing. Nora knew, too—Nora never hesitated. Nora couldn’t have looked paralyzed by fear if she tried. It looked almost like a dance move—the way Nora threw her hips into Em, knocking Em to her knees. (How those two loved to dance!) Then Nora stood in front of Em, completely blocking her from the shooter. Notwithstanding the backup heavyweight’s plans, he began by killing Nora; his first shot hit her in her heart.

There was only one shot, but pandemonium broke out and I lost sight of the stage. I knew Nora was down; I assumed Em was down on the stage with her. I’d seen the snowshoer drop to all fours before the first shot was fired. I knew she wasn’t taking cover. Mr. Barlow could move fast on all fours. I watched her make her way through the ankles in the crowd, navigating the legs of chairs and tables. I quickly lost sight of her, but I’d seen where she was headed—toward the shooter. I could have tracked the little English teacher’s progress through the panicked audience, the drinks spilled on tables, the toppled chairs—the suddenly falling people who tripped over the snowshoer, not expecting someone so small to be scampering on all fours—but I didn’t dare take my eyes off Emory Trowbridge. He was watching me, too, but I had nowhere to hide; there were people cowering under the nearby tables, where there was no room for me.