Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
Apparently, Dave’s parents didn’t want to meet anyone who might have given their son AIDS in the first place. As the little English teacher put it, Dave’s parents thought of us as “among the perpetrators.” We never saw them, but we’d seen their woman driver—she looked more like a Russian shot-putter than a chauffeur. Sometimes, while she was waiting, she got out of the limo to stretch; the Russian driver did her stretching on the hood of the car, which looked cleaner than anything in that area of Seventh Avenue.
Dave died at St. Vincent’s. He’d told the snowshoer that his parents had wanted him to die at home, in their apartment—not at St. Vincent’s, where so many people were dying of AIDS. But Dr. Dave wanted to die where other AIDS patients were dying, including some of his endocrinology patients.
I thought Dave’s parents were crazy. “No, they’re not crazy—they’re just parents,” Mr. Barlow had said.
When you write fiction from so-called real life, there are those details you feel free to change, because you know you can make them better—or worse, if making things worse is your thing. “As a writer, Adam, making things as bad as they can be is your predilection,” the little English teacher told me.
“You’re a worst-case-scenario guy, as a writer,” Em wrote me.
“It takes one to know one,” I wrote her back. As a writer, Em had moved on from The Coming Out Stories. Her mom and dad were still writing to her, and Em’s father kept writing to Cardinal John Joseph O’Connor. Her dad had continued to copy Em on his letters to the cardinal, but Em didn’t write back to her parents, and she had stopped writing fiction about them.
When you write fiction from so-called real life, there are also those details you sense are unchangeable—because you know you can’t make them any better, or any worse, than they already are.
After Dr. Dave died, the snowshoer was visiting another friend who was dying at St. Vincent’s. The candid nurse we knew recognized the pretty Mr. Barlow. The nurse said the hospital’s security personnel had to be vigilant in their efforts not to admit Dave’s parents to St. Vincent’s. The snowshoer said it was understandable why St. Vincent’s had to keep Dave’s parents out of the hospital, after Dr. Dave died.