Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

I would spend a lot of time answering Sophie’s question in the Q and A. I made an effort to put the endless mother questions to rest, knowing I never would. I talked about my repeated interest in a mother’s influence; I said the part of a mother that remains a mystery to her children is the part that interests me as a writer. I could tell I didn’t go far enough. The audience was polite about it, but they didn’t really buy it. Mary simply told me I could do better.

I was happy to see Sophie in the signing line. We gave each other a hug, but I could sense that neither of us wanted to be together. I was relieved about that. Yet even Sophie, who was completely pleasant, had something to say about my mom and the various mothers in my fiction. “I think you can say more about that, Adam—I’ve met your mom, you know,” was how Sophie said it, however pleasantly.

When I got back from Boston, I already knew I would call Wilson. The snowshoer and I were still sharing the little Barlows’ pied-à-terre. It was too small for us, especially when the little Barlows visited—if they were in town, I stayed with Nora and Em. And now that I’d written my first bestseller, Nora and Em were wondering why I didn’t get my own apartment in New York. Of course my mother kept telling me what was for sale in Manchester, Vermont. “You should live here, sweetie,” my mom had said.

But there was no one place I wanted to live, and I would always be undecided about living in New York. At the time, Elliot Barlow and I liked living together—“again,” as we would say. I still imagined I could keep the little English teacher safe.

“There are writers who are regionalists, and then there are the homeless ones,” I’d heard the snowshoer say. The pretty Mr. Barlow had pegged me as a homeless type, but Em and I had written each other about Elliot’s two categories of writers. Em and I thought we were in a third category—the undecided ones.

Naturally, when I got back from Boston, a letter from Em was waiting for me, telling me what a bad idea Wilson was. I knew Em understood why I thought about being with another fiction writer; Em thought about it, too. Yet Wilson was all wrong for me, Em wrote. Em knew I hadn’t read Wilson’s writing, but Em had read a couple of things. “Wilson could be depressed all the time because she knows she can’t write,” Em wrote me.