Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
I would spend a lot of time answering Sophie’s question in the Q and A. I made an effort to put the endless mother questions to rest, knowing I never would. I talked about my repeated interest in a mother’s influence; I said the part of a mother that remains a mystery to her children is the part that interests me as a writer. I could tell I didn’t go far enough. The audience was polite about it, but they didn’t really buy it. Mary simply told me I could do better.
I was happy to see Sophie in the signing line. We gave each other a hug, but I could sense that neither of us wanted to be together. I was relieved about that. Yet even Sophie, who was completely pleasant, had something to say about my mom and the various mothers in my fiction. “I think you can say more about that, Adam—I’ve met your mom, you know,” was how Sophie said it, however pleasantly.
When I got back from Boston, I already knew I would call Wilson. The snowshoer and I were still sharing the little Barlows’ pied-à-terre. It was too small for us, especially when the little Barlows visited—if they were in town, I stayed with Nora and Em. And now that I’d written my first bestseller, Nora and Em were wondering why I didn’t get my own apartment in New York. Of course my mother kept telling me what was for sale in Manchester, Vermont. “You should live here, sweetie,” my mom had said.
But there was no one place I wanted to live, and I would always be undecided about living in New York. At the time, Elliot Barlow and I liked living together—“again,” as we would say. I still imagined I could keep the little English teacher safe.
“There are writers who are regionalists, and then there are the homeless ones,” I’d heard the snowshoer say. The pretty Mr. Barlow had pegged me as a homeless type, but Em and I had written each other about Elliot’s two categories of writers. Em and I thought we were in a third category—the undecided ones.
Naturally, when I got back from Boston, a letter from Em was waiting for me, telling me what a bad idea Wilson was. I knew Em understood why I thought about being with another fiction writer; Em thought about it, too. Yet Wilson was all wrong for me, Em wrote. Em knew I hadn’t read Wilson’s writing, but Em had read a couple of things. “Wilson could be depressed all the time because she knows she can’t write,” Em wrote me.