Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

It was also disquieting that I could have answered the question by telling the audience what my mom had already said about the novel, but I didn’t want to—especially not with Nora in the audience. “I know this mother isn’t me, sweetie, but what does Nora think about it?” my mom had asked me.

“Nora is okay about it—Nora knows it’s fiction,” I told my mother.

“You know Nora would never choose to have a child, Nora would never be a mother, but someone might really kill Nora, sweetie,” my mom told me.

“I know—that may be why I wrote the novel,” I told my mother. But that wasn’t the audience’s business, I decided; I wouldn’t answer any of the mother questions onstage.

Everything went all right, considering. When I was reading, I could easily locate Nora and Em in the audience; they were sitting in the front row, next to Mary Marinelli and her breast-pumping paraphernalia.

I had fun with the Q and A. When there are written questions, you can think of an imaginary notecard—you can make up a question. No one will know, I thought. But back in the greenroom, where I was given a brief reprieve before the book signing, Mary not only knew the question I made up to ask myself; she chided me for ducking the mother questions. “It wouldn’t have killed you to answer one mother question—you can’t write a novel about such an inflammatory mother, and not expect readers to be curious about your mother, Adam,” Mary told me, before going to the washroom to milk herself.

Fred had refrained from comment, but he was at his pissiest when he informed us that Nora and Em were “staking out” the area of the lobby where the book signing was—“in case the bed-shitter shows up.”

I was relieved to learn that, in Nora and Em’s estimation, Jasmine was nowhere in sight. I’d been imagining that Nora and Em had thrown Jasmine into the traffic on Lexington Avenue. At the book signing, I was further reassured by Em’s pantomimic gestures from the back of the signing line; it was easy to see, from the way Em was prancing around, that there was no sign of the subway-station pussy in the signing line. And Nora interrupted her stakeout of the lobby area to have a word with me at the signing table. “The bed-shitter isn’t coming tonight, kiddo,” Nora assured me.

Mary Marinelli was bossing around my readers in the signing line. “He’s not signing T-shirts, or bras, or anything like that,” I could hear her saying. People who wanted their books “personalized” were instructed to write out their names. “Don’t expect him to know how to spell your name,” I heard Mary say.