Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Em had already written a new short story when the one about the writer mom was published in Ploughshares. In the new one, “Why I Hate Memoirs,” the copycat father reads the writer mom’s confessional first novel and decides he can do better. The gay dad writes a more immoderate and unwholesome memoir, which is described in the deadpan, first-person narrative voice of the nonspeaking lesbian daughter. The homo-hating gay father’s self-hatred causes him to outconfess the lesbian mother, while at the same time he contends that his wife’s incessant need to do it with other women was more damaging to their daughter than his prurient interests in other men.

Em had written me that her actual gay dad’s religion, the Church of Scotland, was “kind of Calvinist, definitely Reformed, and of course Protestant.” In her new short story—“just to be funny,” Em wrote me—she made the homo-hating gay father a self-described “Presbyterian atheist” who converts to Catholicism. In the 1970s, there was a first wave of ex-gay Christians preaching conversion therapy. Em gave the gay father in her story a crackpot conversion therapy all his own; her fictional memoirist father believes he can cure himself of his homosexual desires by adhering to Catholic teaching. But we know this guy—he hedges his bets. First he is going to be castrated, then he says he’ll have “just a vasectomy”; of course he doesn’t do either. The real reason the coward converts to Catholicism is that he likes the possibility of forgiveness provided by the Catholic Church. “You confess, you’re forgiven—that’s how Roman Catholicism works,” the self-serving memoirist tells his nonspeaking daughter. She doesn’t say a word—she just tells the story.

This one, “Why I Hate Memoirs,” was published in Antaeus. By the end of the seventies, Em and I were in the habit of writing letters to each other, and we always showed each other our new writing before it was published.

This wasn’t (I hoped) what Nora meant when she said to me I was “trying to start something with Em.” I truly believed Em and I were innocent or unaware of starting anything—just as Em, I know, never thought that her actual parents would actually become two terrible writers. Em was writing fiction. Em never intended to give her awful parents the idea of becoming writers. Who could read “The Problem with Autobiographical Novels” and ever want to write one?

“Someone with zero imagination, like my mother,” Em would later write to me, when she was beating herself up about it. And who could read “Why I Hate Memoirs” and even want to read one—not to mention write one? “Just wait—my dad will actually become a Catholic, too,” Em would write me. She wasn’t kidding.