Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

“Let it go, Ray,” the night groomer said softly. “I wouldn’t fuck up that shot from the kitchen window—I use that twenty-gauge more than you do,” Molly reminded her.

This was true; Molly was the deer hunter in their family, she shot a deer every hunting season. She had a friend on the ski patrol who butchered it for her; Molly gave the patroller as many steaks or chops as he wanted, keeping the rest for herself and Ray. My mom had gone deer hunting with Uncle Martin and Uncle Johan. She was a good deerstalker, my uncles told her, and she clearly liked walking around in the woods with a gun; those two Norwegians loved her company, but they never understood why she missed every shot. Molly and I and the snowshoer knew why.

My mother purposely missed the deer, but she made a point of telling us how she always hit what she was aiming at. Both Molly and my mom liked that twenty-gauge—a lever-action, single-shot shotgun. Most deer hunters wouldn’t have chosen it; they would have wanted a rifle or a twelve-gauge, and more than one shot. But Molly swore by it. “My first shot is buckshot—that’ll knock a deer down,” the trail groomer had told me. “That little twenty-gauge is a cinch to reload. My second shot is a deer slug, the kill shot,” Molly said. Molly also liked how easy a gun it was for my mom to handle. “No safety is safer than having a safety,” the ski patroller liked to say about that single-shot twenty-gauge. “You have to cock it to shoot it—if it’s not cocked, it won’t fire. It’s a hard gun to shoot yourself with, accidentally,” Molly always said.

In the context of that cocktail party at the Exeter Inn, Lieutenant Matthew Zimmermann’s proposed salvation from a hero’s death in the Vietnam War must have been confounding to the adamant marine. Two lesbians—two dykes, two lickers—had told him they were prepared to shoot Matthew Zimmermann to save him from Vietnam. I decided to keep talking, before the undersize heavyweight thought of something to say. I quickly told the outraged but nonspeaking marine that my mother or Molly would have shot me, if I hadn’t been 4-F. I showed the small heavyweight my palms; the scars from the flexor-tendon surgeries were very visible. “Wrestling injuries to my fingers and hands—extensor tendons, too,” I was explaining to him, when my mom suddenly let go of the guy’s wrists. In her excitement to show him her hands, she almost hit him in the face.

“Look at my hands!” Little Ray cried. “Adam has my little hands, so I didn’t have to shoot him!” Molly was already hugging her when my mother started to sob. “You should have let me shoot Zim—both of you are to blame,” my mom blubbered to Molly and me.