Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

I didn’t want to imagine Emmanuelle taking a shit on the putting green; I really must have known I shouldn’t be imagining Emmanuelle at all. My mother was pointing out how the River Bend residents wobbled; they even wobbled when they walked—not that all of them could walk, my mom told us. “Imagine the River Benders squatting—they’d fall over!” Little Ray was saying. I didn’t want to imagine the River Benders I’d met squatting, my grandmother included.

“I don’t think dumping is all that athletic a thing, Ray,” Molly told my mom, but I was trying to tune them out. Should I make contact with Emmanuelle, her athleticism notwithstanding? Could I spend the rest of my life not knowing where the voyage of the Pequod ended for my grandmother? Did I believe her reading Moby-Dick to me had made me a writer? My childhood attachment to Exeter had ended; not even my uncles were around to remind me of it.

Uncle Martin and Uncle Johan were both in their seventies when their voyage on the Pequod ended. Nora said they were living like boys again. They’d moved up north, to be near the skiing; they’d traded their cars for a truck, like a couple of Carroll County old-timers. They’d bought a house near North Conway, and Uncle Martin and Uncle Johan went everywhere and did everything together. “With one truck,” as Nora put it, “they had to.” My uncles never got tired of each other’s company; they just loved fooling around together. Everywhere they drove, they would sing along with the song on the radio.

I last saw Uncle Martin and Uncle Johan when they came to New York to see Nora and Em onstage at the Gallows. It was the first and only time my uncles saw Two Dykes, One Who Talks; it was understood (but unspoken) that they wouldn’t have enjoyed themselves as much if my aunts had been alive and with them. My uncles had laughed and laughed; they’d loved the show. They’d loved seeing the snowshoer, too; Uncle Martin and Uncle Johan kept telling the snowshoer how pretty she was as a woman.

My uncles also loved Damaged Don, who’d written and was singing a new song. That night at the Gallows, we were told it was the premiere of “No Lucky Star,” but, predictably, it was the same old song, and Damaged Don sang it in the same, near-death drone.