Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
The residents of River Bend preferred the rooms with the river views. At low tide, their rooms overlooked mostly mudflats, but the residents preferred the mud to the golf course. Not my grandmother. “I rather like the mud, but I would prefer not to see the cows or even think about them,” Nana said. The long view, across the river or the mudflats, was of the black Angus farm. At such a distance from River Bend, it was pointed out to Mildred Brewster, the cattle would appear to be the size of small dogs. “I do not care what the cows appear to be—I know what they are,” my grandmother pointed out. “I would prefer not to see or think about cows, not even small ones.” There was Bartleby’s I would prefer not to, again—Nana remembered her Melville. She also remembered moments of her early childhood, unknown to us. Her life as a young woman had remained intact—most of all, her reading as a young woman.
“Her short-term memory is shot to shit,” Dottie pointed out. “She don’t know the difference between yesterday and fifty years ago.” This was true. My grandmother’s understanding of chronological order was shot to shit, too. Moby-Dick was clearer to her, and more real, than the births of her children or her children’s children. Nana knew who Dottie was, but she always seemed surprised when Dottie showed up—as if Dottie belonged somewhere else, or Dottie herself were somehow out of chronological order.
Near the end, even before she left the Front Street house for River Bend, my grandmother didn’t recognize Abigail and Martha—not until they spoke to her. “Oh, it’s you—you should have said something,” Nana told my aunts, as soon as she heard their harping voices.
Once, when Dottie was still taking care of her, my grandmother asked Dottie why she couldn’t smell the diaper man. “Did you just change Principal Brewster’s diaper, Dottie?” Nana asked.
“Wrong time, Mrs. Brewster—the diaper man is dead,” Dottie answered her.
“Oh, it’s that time—well, it’s all downhill from here,” my grandmother said.
It would have made my mother cry if Nana ever failed to remember her, but Rescue Ship Rachel didn’t need to worry. Little Ray had been named for “the devious-cruising Rachel.” Mildred Brewster, who could recite the rest of that last sentence of Moby-Dick, would always recognize her dearest Rachel.
Once, when my mom visited her aged mother at River Bend, she made sure she was recognized; she stomped into my grandmother’s room, doing her single-leg lunges. “Stop, Rachel—you’ll shake the chandelier!” Nana cried, but they weren’t in the dining room. There were no chandeliers at River Bend, where my grandmother chose a room overlooking the golf course.