Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Or was Mr. Barlow prescient enough to imagine he would one day be able to support himself as a freelance copy editor, one who actually worked at home? When the snowshoer moved to New York, of course he could have found a job teaching English and coaching wrestling at any of several schools in the city. I’m sure he had outstanding recommendations from Exeter, but it wouldn’t have worked out for him. How could Mr. Barlow be a schoolteacher and a coach when he became a woman? Surely someone would object—if not the kids, their parents or another teacher. Someone would say it was inappropriate for Elliot to use a women’s washroom at the school; the women, especially the schoolgirls, wouldn’t feel safe in the same washroom the little English teacher used. Of course I couldn’t imagine women or girls being unsafe with Elliot Barlow.

“Imagine Elliot as a woman, all four feet nine of her, being safe in a men’s washroom with a bunch of boys or men,” Molly said.

“Or in a men’s locker room with a bunch of wrestlers, sweetie,” my mother said.

As Nora had said, in the seventies everyone was angry. But what the snowshoer wanted to do would never be safe or easy, not even as a copy editor.

The snowshoer was living in his parents’ pied-à-terre on East Sixty-fourth Street. The little Barlows were rarely in New York; Elliot was welcome to move into their bigger bedroom, but he chose to stay in his childhood room. His women’s clothes filled his closet—they were my mom’s clothes, the snowshoer first told his parents. Some of them were. My mother cared little about clothes; she knew what Elliot liked to wear, and she loved giving him her clothes. But it made me sad that the snowshoer still had a hidden life, even after getting away from Exeter—a life he hid from his own parents. “From her own parents, sweetie,” my mom kept correcting me. She knew him so much better than I did, I would one day realize—knew her so much better, I should say. I loved them all—I completely sympathized with Molly and my mother, with Nora and Em, and with Mr. Barlow. Yet I would always be an outsider to their sexual differences; I would always be just an observer, and a slow learner, as Nora knew. Some writers are.