Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
“Tell her she must have a vagina as big as a ballroom!” the ski patroller shouted from the stove. “The risotto is ready, Ray!” Molly called to my mom, who was getting an earful from Jasmine. Among the many things Jasmine was saying, she must have said the wrong thing—or one of those things you should never say to someone’s mother. The trail groomer and I would not hear my mom use the word poor when she spoke of Jasmine again.
“Well, that’s not what I hear,” Molly and I heard my mother say to Jasmine. “I hear you’ve got a vagina as big as a ballroom,” my mom told her, hanging up the phone.
It couldn’t have been easy for Jasmine to find Nora’s number; Nora had changed her name, and she had an unlisted number. Nora thought “Winter” was a better stage name than “Vinter”—maybe not in Norway, but Nora had never seemed especially Norwegian. Two Dykes, One Who Talks wasn’t an act associated with last names; the two of them were called Nora and Em, not by their last names, but Nora Winter was known to be their spokesperson. Nora was the one who did the interviews—obviously, no one interviewed Em. At the start of the 1970s, I didn’t know Em’s last name, and I was one of the few who knew she’d been an Emily. Yet somehow Jasmine found Nora’s unlisted phone number in New York.
When Em answered a phone call, all she did was breathe into the mouthpiece until Nora came to the phone. The first time Jasmine called for me, she must have thought I was the one not speaking to her; Jasmine must have imagined she’d finally found me. She’d asked for Adam and heard Em’s breathing. “It’s you, isn’t it? You penis breath!” Jasmine shouted. This was not a welcome image to Em, who began to growl into the phone.
Nora, who was sitting on the toilet seat, could hear Em growling from the bathroom, where the door was closed. “I’ve told you not to answer the phone—just let the fucker ring, Em!” Nora was yelling, but Em was engrossed in Jasmine’s litany of the younger, bigger penises she was regularly enjoying in my absence. Nora told me later that Jasmine had used the springy word to describe one of the eager penises in her exciting new life; the image of a springy penis had particularly repelled Em.