Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

In 1973, when Mr. Barlow resigned from Phillips Exeter Academy and moved to New York City, he was forty-four. I was thirty-one, a published novelist—I was writing my second novel—but with Elliot Barlow’s resignation from the academy, it was high time for me to get out of town. The snowshoer said I’d prolonged my adolescence by sharing the faculty apartment in Amen Hall with him into my thirties. It’s unclear what I would have been prolonging if I’d moved in with Nana and Dottie. Those two old ladies would have welcomed me, and what a wonderful workplace for a writer it would have been—all those unused rooms I could have written in. But the prospect of my sleeping, full-time, in the attic bedroom of the Front Street house was forbidding. No one should sleep with ghosts every night, not even writers.

Yet my most convincing reason for leaving the town of Exeter was an actual (not a ghostly) encounter. One late night, I drove out to Roland’s to pick up a pizza for me and Mr. Barlow—thus sparing the snowshoer the possible temptation of going to Roland’s as a woman. It was late at night, even by Roland’s standards, but I’d called ahead and ordered the pizza. It was a quiet night; there were no drunken thugs lurking in the darkened parking lot, waiting to accost me as I carried the pizza to my car. There was only the woman with the baby carriage. The woman was walking toward me, out of the darkness—as if she and her baby were picking up a late-night pizza, too. I refused to be intimidated by her brazenness as a ghost. I should have known this woman wasn’t a ghost.

“So now you’re going public—you’ve got balls, I’ll give you that,” I said to her, but she wasn’t the woman from The Wrong Car—she was the wrong woman, an actual woman with an actual baby. Scant light from Roland’s reached the parking lot, but the woman I’d frightened pushed the baby carriage into what weak light there was. Her moonfaced baby was wide awake and staring up at me, with the noirish indifference some babies have, but the woman was clearly afraid. “Oh, I’m so sorry—I mistook you for someone else,” I said to her.