Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

“What about you guys—where are you goin’?” Lucy asked us. I thought she was being a little encouraging. We walked together, east to Lexington Avenue, and along Lexington to East Sixty-fourth Street, to the little Barlows’ pied-à-terre. Lucy had a look at the writing team’s apartment, while Mr. Barlow and I packed up our things and changed our clothes. I had my writing notebooks with me, and all the other stuff I’d brought from Vienna.

I hadn’t noticed that the snowshoer was wearing a bra until we were walking against the wind on Lexington Avenue. The wind whipped the little English teacher’s necktie over his shoulder and pressed his white dress shirt flat against his chest, where I got a glimpse of the bra—only briefly, before the snowshoer clutched his overcoat closer to his chest. The cups of the bra were too small for my mother. Was Mr. Barlow buying his own bras now? I wondered. A training bra, I presumed. At least it was white, I was thinking—a black bra would have been more noticeable under a white dress shirt.

“Lose the bra, Elliot,” I said to him when we were changing our clothes for the train.

“I thought you’d never notice,” the snowshoer said.

“I noticed it, too!” Lucy called to us from the living room.

I felt I had failed to be the snowshoer’s good shepherd. At Zim’s memorial, of all occasions, I had failed to watch out for Mr. Barlow. I’d let the little English teacher pick a fight with a couple of Bonesmen in a bra. What a bad soldier I would have been, I was thinking, as the three of us took a taxi to Penn Station.

“Don’t worry—I’m not goin’ all the way to New Hampshire, but I’ll take a ride to Penn Station,” Lucy had told us.

Our taxi driver was a hippie with a dirty-blond beard and a ponytail tied with a red ribbon. His cab was adorned with peace symbols, and he had a GET OUT OF VIETNAM bumper sticker. All the way to Seventh Avenue, “Where Have All the Flowers Gone?” was playing on the radio—the old Pete Seeger song, but it was the Peter, Paul and Mary version.

I was also thinking I had failed Francine DeCourcey, Zim’s fiancée. I believed I could have comforted her more—I should have tried harder to reach her in her grief. The song just repeated itself. Peter, Paul and Mary just kept singing. Lucy sang along with them. They were asking where the flowers, the young girls, and the soldiers had gone.

Where has the snowshoer gone—where is he going? I was worrying. Peter, Paul and Mary just sang. Our hippie cab driver was singing, too. The young girls in the song would never learn—that was the message.