Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
I slept badly that August night in Vermont. I heard Molly’s voice a couple of times; she sounded like she was arguing with my mother, but my mom said nothing I could hear. Later I heard a clunking sound; it came from the kitchen. Maybe my mom had thrown up again, and Molly was getting her something to drink from the fridge. I got up and went into the kitchen, where I saw my mother. She usually slept in a T-shirt or a tank top and a pair of athletic shorts—maybe sweatpants, in the winter—but she was wearing just a bra and panties. After she’d thrown up, she must have passed out in her underwear.
I could tell I’d startled her, because my mom froze for a second over what she was doing at the kitchen table. I could see I’d caught her loading the twenty-gauge. She quickly closed the lever-action, single-shot shotgun, but I saw the shell she’d slipped into the barrel—the gun was loaded. “I heard a varmint,” my mother said softly. I knew she was hoping Molly hadn’t heard her.
“Ray?” Molly called from the bedroom. My mom just looked at me, cradling the shotgun.
“What are you doing, Ray?” Molly asked, coming into the kitchen.
“Heard a varmint,” my mother said; she was whispering.
“I shoot the varmints—give me the gun, Ray,” the ski patroller said. My mom hesitated. “Zim isn’t your kid—you can’t shoot other people’s children, Ray,” Molly told her.
“If Zim’s mother loved him, she would shoot him. And what’s the matter with Elmira?” my mom asked me. “You said Elmira was Zim’s main mother. Why doesn’t Elmira shoot him, if she loves him?”
“You can’t shoot other people’s kids, Ray,” the snowcat operator repeated. Molly took the twenty-gauge away from her and unloaded it. “You’d make a mess of a varmint if you shot one with a deer slug,” Molly told my mother.
“One shot, just under the patella—you can have a good life with a bad knee, you can still get laid with a limp, and have children, and make friends,” my mom told us. Little Ray didn’t slip away to their bedroom this time; she was clearly pissed off, and left us in a huff.