Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

I slept badly that August night in Vermont. I heard Molly’s voice a couple of times; she sounded like she was arguing with my mother, but my mom said nothing I could hear. Later I heard a clunking sound; it came from the kitchen. Maybe my mom had thrown up again, and Molly was getting her something to drink from the fridge. I got up and went into the kitchen, where I saw my mother. She usually slept in a T-shirt or a tank top and a pair of athletic shorts—maybe sweatpants, in the winter—but she was wearing just a bra and panties. After she’d thrown up, she must have passed out in her underwear.

I could tell I’d startled her, because my mom froze for a second over what she was doing at the kitchen table. I could see I’d caught her loading the twenty-gauge. She quickly closed the lever-action, single-shot shotgun, but I saw the shell she’d slipped into the barrel—the gun was loaded. “I heard a varmint,” my mother said softly. I knew she was hoping Molly hadn’t heard her.

“Ray?” Molly called from the bedroom. My mom just looked at me, cradling the shotgun.

“What are you doing, Ray?” Molly asked, coming into the kitchen.

“Heard a varmint,” my mother said; she was whispering.

“I shoot the varmints—give me the gun, Ray,” the ski patroller said. My mom hesitated. “Zim isn’t your kid—you can’t shoot other people’s children, Ray,” Molly told her.

“If Zim’s mother loved him, she would shoot him. And what’s the matter with Elmira?” my mom asked me. “You said Elmira was Zim’s main mother. Why doesn’t Elmira shoot him, if she loves him?”

“You can’t shoot other people’s kids, Ray,” the snowcat operator repeated. Molly took the twenty-gauge away from her and unloaded it. “You’d make a mess of a varmint if you shot one with a deer slug,” Molly told my mother.

“One shot, just under the patella—you can have a good life with a bad knee, you can still get laid with a limp, and have children, and make friends,” my mom told us. Little Ray didn’t slip away to their bedroom this time; she was clearly pissed off, and left us in a huff.