Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
Today, I would echo my mom’s heartfelt endorsement of the snowshoer’s femininity. But, at the time, wouldn’t that have put him in more danger of being found out? I not once neglected to tell him how nice he looked in Little Ray’s clothes. I always praised how pretty he was in this or that outfit. But I stopped short of telling him that he was a woman. I didn’t say he “just wasn’t born one,” as my mother had told me—only she’d used the she word for him.
I didn’t go that far. Even when it was just the snowshoer and my mom and me, or when only Molly was with us, I thought it put Mr. Barlow at risk to use feminine pronouns for him. I would not refer to him, in the third person, as she or her. I even told my mother that she should stop using female pronouns for the snowshoer.
“What if you slip up?” I asked my mom. “What if you call him her, or you say he’s a she, around someone else? Someone who doesn’t know—someone who’s not one of us,” I said to her. “What if you call him her, or you say he’s a she, around Abigail or Martha?”
“I didn’t know you were such a nervous Nellie, sweetie,” my mother said.
Poor Mr. Barlow. He was always mediating between my mom and me—he didn’t like it when we quarreled. “Take it easy on Adam, Ray,” the snowshoer said. “Fiction writers are worriers—they have heightened imaginations. They imagine worst-case scenarios.”
I knew the trail groomer agreed with me. Molly knew my mother wasn’t careful concerning what she said to whom—she just said it, whatever it was. I knew the night groomer had heard my mom use feminine pronouns for the snowshoer around the wrong people. “Listen to your one and only, Ray,” the snowcat operator said. “The Kid’s right—you could be more careful.”
“You’re not a fiction writer, Molly—you’re just a nervous Nellie, too,” my mother said.
“Pronouns are a habit, Ray,” the little English teacher said, always mediating. “You don’t need to have the writer gene to worry that you might repeat yourself—we all repeat ourselves.”
This caused an uncomfortable silence. For an English teacher—a man of words—the mere mention of my having the writer gene was not the most carefully worded thing Elliot Barlow ever said. If I had the writer gene, if there was a writer gene, I certainly didn’t get it from my mom—she didn’t even read fiction. As Molly had said, I was the only fiction writer Little Ray ever read.