Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Sophie stretched the waistband of my boxers, appearing to take a disinterested look; she always let the waistband go with an audible snap. To Molly and Ray, this gesture might have seemed affectionate or cruel—perhaps both—but I knew Sophie. She was always looking for blood. “Aren’t you cold, sweetie?” my mother asked me. “You should put some clothes on.”

I tried to look like I was leaving the kitchen, but I took my time doing it. Sophie knew how to finish a story, and I knew exactly where she was in the fibroid saga—she was almost done with it. “Surgery is an option,” Sophie was saying to my mom and Molly. I was edging toward the TV room with the giant futon—where Sophie and I had slept, where we’d had sex, where there’d been bleeding—but I knew I had to linger in the kitchen a little longer. “I could have a fibroidectomy—or, one day, a complete hysterectomy,” Sophie said, almost casually. She paused; she knew I was waiting to leave. “Don’t worry, Adam,” she said softly, letting me go. “I won’t try the surgery till you’ve moved on. I won’t make you go through the surgery part.”

I love Thomas Mann. He was the perfect writer to discover in a year of bleeding. But twenty-five years later, I was alone with my mother and Molly in their Vermont kitchen. I was older than they’d been when Sophie and I broke up. I didn’t want to hear my mom say, “Poor Sophie”—not again, not when those two old ski jocks were in their sixties, and I was in my forties.

I’d missed having a writer for a girlfriend, if not the bleeding. I’d been seeing another writer; there was something about it that made being a writer a little less lonely. I’d never gone out with a woman who worked in publishing, and Grace had been reading my novels since she was in high school. If you were a writer closing in on fifty—if your relationships had been a rocky road—wouldn’t you have been interested in meeting Grace? Even if you were worried about the age difference. Even if Grace was your mother’s idea.

“Okay,” I said, looking at Molly, who was flipping pancakes. “Okay, okay,” I told my mother, who was doing her wall sits in her long johns against the refrigerator, trying not to spill her coffee.

“Okay to what, sweetie?” my mom asked.

“Okay, I’ll meet Grace. If that’s what you want, I’ll meet her,” I said. I should have known this would make my mother suspicious.

“You’re not seeing anyone, are you? You can’t go out with Grace if you’re seeing someone, sweetie,” my mom told me.

“Ray, let Adam meet Grace—let them decide if they want to go out,” Molly said.