Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
“Keep true to the dreams of thy youth”—ah, well, who wouldn’t like the sound of that? But sometimes—for example, when you’re born a boy and you want to be a girl—that’s a tall order.
“Well, I like it—even if Moby Dick wrote it,” my mother suddenly said. “And that’s what my snowshoer is doing, Adam—she would have been a pretty girl. She’s keeping true to the dreams of her youth.” Little Ray took a deep breath before going on. “And that’s what I was doing, sweetie—when I had you,” my mom told me.
“When you what?” I said.
“When I wanted a baby—all mine, my one and only, no strings attached. I was keeping true to the dreams of my youth when I had you, sweetie,” my mother told me.
“Who was he?” I asked her.
“He was just some kid, sweetie—he was younger than you; he wasn’t shaving. He was just a boy who couldn’t take his eyes off me. You know boys like that, don’t you?” my mom asked me. “He was small,” she whispered, kissing me. “He would have been a pretty girl. What he meant to me, Adam, was that you would be all mine. That’s what ‘no strings attached’ means, sweetie,” my mother said.
I was no longer writing in those clunky notebooks with the popping rings—they reminded me of meeting Rose. Mr. Barlow had found better notebooks for me in Harvard Square. They had hardcover bindings—like real books, but with blank pages—and the ones I liked best were the size of paperback novels. The pages were unlined.
This happened after my conversation with my mom in my attic bedroom, where she told me my father would have been a pretty girl. I’d been writing in one of my notebooks at the kitchen table of the Amen Hall apartment I shared with the snowshoer. I don’t remember why I got up from the table—probably to get a glass of water, or to make myself a cup of tea. I do remember leaving the pages of my writing notebook open.
In the 1960s, I never saw those notebooks that had a hymnal ribbon. I love those notebooks—you never lose your place. At Mr. Barlow’s kitchen table, I used the salt and pepper shakers to hold my notebook open. The little English teacher wasn’t snooping; he just happened to see what I’d been writing.
It isn’t surprising that I’d written down the two most indelible things my mother had said in her most recent, and most candid, conversation with me. The first was about Elliot Barlow as a woman; the second was about my very young father.