Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Those same five men in an early Aspen mining camp; the mule train, ore wagons, crossing Independence Pass; what my mom said was probably an afternoon shift at the Smuggler Mine; two miners underground, setting black-powder charges; the formal portrait of the brave- but sad-looking Jerome B. Wheeler; the horse-drawn wagon, a beer delivery, at the Hotel Jerome; the dark-skinned hotel maid, maybe Mexican (Little Ray thought she was Italian). No, I’m not forgetting the boy or young man I didn’t describe to my mother—I still hadn’t described him to her. That kid from the 1940s, handsome but childlike, a short boy with a tall snow shovel. I’d sensed—I still sensed—he might have been a different kind of ghost, the kind who can hurt you. Or maybe he was just a recurring dream, but I didn’t think so. What was slightly off about him haunted me: his ski sweater and the hat with a pom-pom. The sweater was too big for his shoulders; the pom-pom on the ski hat was girlish, or it accentuated something girlish about him. A hotel guest, a woman, must have left her hat and sweater behind. In the passage of time, these images never changed—old black-and-white photographs don’t lie, do they?

There’d been another image, more disturbing than the rest. I’d talked to my mom about it.

“Oh, those guys,” she said, unconcerned. “The white guys are Aspen volunteers—I think they put down a Ute uprising.”

In a telephone conversation with a helpful person at the Aspen Historical Society, I said I was trying to understand what was going on in a black-and-white photo I’d seen: armed white men are posed with the bullet-riddled body of a dead Ute. One of the white men’s dead companions is propped up in a more dignified position than the splayed-out body of the disrespected Ute. Aspen was once called Ute City, a silver camp in the Roaring Fork mining district. The Utes were removed to Utah in the 1880s. There’d been a Ute uprising in 1879, and another one—a small one, maybe the last—in 1887. The historical society had no record of the photo. I don’t know which Ute uprising I got a glimpse of. Does it matter? They’re all ghosts now, not just the two dead guys. Only the disrespect remains.