Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

My uncles weren’t fjord-jumpers, but they were Norwegians, which once led me to believe they must have seen or read an Ibsen play. They’d named their children Henrik and Nora. As it turned out, Nora would inform me, Henrik had not been named for the playwright, and Nora herself was in no way the Nora in A Doll’s House. “Though let me tell you,” Nora told me, darkly, “if I had three children, I would abandon them. If I had one kid, I’d be out the door.”

Nora had her fjord-jumping moments; she was the pessimistic Norwegian on the Vinter side of my family. Nora was the eldest of us cousins, the one and only child of Uncle Martin and Aunt Abigail. In the war Nora bravely waged with her judgmental mother, she won my heart. I thought Nora knew everything, and she was usually forthright to me about what she knew. Those Brewster girls—Nora’s mom and mine, and Aunt Martha—were clever at keeping things from us children, and from their own parents. “Maybe even from one another,” Nora had hinted to me.

“Why would they keep things from one another?” I asked Nora. She was six years older than I was. As a child and a teenager, I didn’t just love her; I idolized her.

“Your mother is the most mysterious—she’s the smartest one. My mom and Martha are dolts,” Nora said.

I was ten or eleven. Nora would have been sixteen or seventeen; she was already driving. It must have been summer vacation, because we were lying on the beach at Little Boar’s Head. It was subversive of everything that had heretofore been implied to me about my mom’s intelligence, to hear she was the smartest one.

Champion of Little Ray that my grandmother was, even she disparaged my mother’s lack of a proper education. While Abigail and Martha had been sent away to Northfield, my mom had refused to leave home.

“Well, truth be told, Adam,” Aunt Abigail said, expanding on this theme to me, “Little Ray wasn’t much of a student.”

“If she’d applied to Northfield, they wouldn’t have taken her,” Aunt Martha had chimed in.