Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
I noticed the plural. Holding my hand, Nora led me upstairs. Em followed. I wouldn’t have dared to say Nora shared any genetic traits with those Brewster girls. Like the hips Nora had in common with her mother, an off-limits subject, I would have been risking my life to suggest that Nora was similar to her mom and Aunt Martha in other respects. Yet Nora had autocratic tendencies. Her sexual politics may have been at the opposite end of the spectrum from my aunts’ beliefs, but Nora was a sexual autocrat and a bully. The complicated part, for me, was how much I revered her—and agreed with her.
It was with the greatest trepidation that I entered the room Nora and Em were sharing at the Exeter Inn. The view of the tent for the rehearsal dinner was the first thing I saw out the open window. Apparently, the tent wasn’t going to be removed on a Sunday. I tried not to look at the unmade bed, the sight of which recalled Em’s plaintive wails. The rumpled bed represented a gladiatorial arena where Em had been sexually slain, repeatedly.
“What I don’t get, Adam,” Nora was saying, “is how you could know so much about a kiss by just watching it. I mean, there’s a limit to what you can see—isn’t there, kiddo?” I saw that Em had opened her mouth; she was pointing to her tongue. It was unnecessary for Nora to tell me what Em meant, but she did. “There’s a lot of kissing that happens inside the mouth, Adam,” Nora explained. I knew I wasn’t in the same league with Nora or Em when it came to kissing. All I could think was that Em had the tiniest teeth and the pinkest tongue. “Don’t even think about kissing me, Adam,” Nora suddenly said. I wasn’t. “You can’t kiss me, kiddo—I’m your cousin.” I was relieved to hear this, but not for long. Em suddenly moved closer. She’d shut her eyes and had lifted her face to me. She wasn’t exactly grimacing or squinting—her lips were only slightly parted. Em wasn’t so much waiting for me to kiss her as she was resigned to it. She and Nora must have talked about it, and Em appeared to be bracing herself for it. “Go on, kiss her,” Nora told me. “Show her how Ray kissed the snowshoer—then Em will show me how Ray did it.”