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Contents ( 47)
  1. OLIVE
  2. Emma Gannon
  3. Copyright
  4. Praise for Olive
  5. Prologue
  6. Part One
  7. 1
  8. 2
  9. 3
  10. 4
  11. 5
  12. 6
  13. 7
  14. 8
  15. 9
  16. 10
  17. 11
  18. Part Two
  19. 12
  20. 13
  21. 14
  22. 15
  23. 16
  24. 17
  25. 18
  26. 19
  27. 20
  28. 21
  29. 22
  30. 23
  31. 24
  32. 25
  33. 26
  34. 27
  35. Part Three
  36. 28
  37. 29
  38. 30
  39. 31
  40. 32
  41. 33
  42. 34
  43. 35
  44. Epilogue
  45. Acknowledgements
  46. About the Author
  47. About the Publisher

When I was twelve, in 1999, I remember being obsessed with snipping cut-outs from my mum’s old Argos catalogues and sticking them into the blank pages of my notepads. Notepads were the only present people bought me or put in my stocking, because I was always doodling as a tiny kid. I would have stacks of them: beaded ones, velvet ones, bright pink ones, furry ones, holographic ones, and secret diary ones with a lock and key. But I had stopped writing and started making collages instead. I would neatly cut around pictures of products I found interesting from the flimsy thin pages of Argos, and Pritt-stick them inside the blank pages. Navy-blue patterned plates. A big wooden rolling pin. Hand-painted tea cups. A garden slide. A stylish armchair. A woollen throw for the sofa. A picture frame designed for four landscape-shaped photos. I would trim carefully around each one with big kitchen scissors, in circular motions, around the plates, bowls, crockery. I would stick them into the blank pages, designing my life in detail from an early age. I believed I would have these perfect little things in my home when I was older. I would have a garden. I would live in a big house, bigger than my mum’s. I would have a husband. I would have a baby too, probably. Or two. Or three! Because that’s what you do. My friends would come round with their babies. They would all play together. We would go to the beach and tell them not to eat the sand, while we drank tea in flasks and reminisced about the good old days. That’s what grown-ups did. When I am an adult, I would think, everything will be good. I will finally be free. Adulthood = Freedom.

I painted a picture of my Big Bright Future through the lens of an old Argos catalogue, and today I am inside that distant future; in the painting, living and breathing it. But I don’t have the hand-painted tea cups, or the navy-blue patterned plates. I don’t have a garden slide. And I don’t have the baby either.

Looking back, perhaps the baby thing was always more of a blurry idea; one that I could never totally zoom in on. I could only really imagine it hypothetically. The idea of becoming a mother was something passed down to me – from my mother, and her mother’s mother, over centuries and centuries of social conditioning. It seemed like a no-brainer. Like all the other milestones in the how-to-be-a-person manual.

Turns out that you can’t Pritt-stick a life together as a child and then hop inside it when the time is right like Bert from Mary Poppins.

And so now, sitting here in 2020, typing this, I realize that I imagined a different thirty-three-year-old to the one I have actually become. This woman who has no sign of ‘twitching ovaries’, or fertility flutters, or random broodiness. I hold babies and, sure, they’re cute, but I give them back and don’t feel any biological shifts or urges. I see pregnancy announcements online and press the heart button but feel zero jealousy. I picture myself twenty, thirty years into the future, with silver in my hair, walking on a beach with a partner, writing in the evenings with a glass of wine, and multiple nephews and nieces visiting me in my cosy home. There might be no children of my own in my future, but why should this cause me any worry?