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Contents ( 47)
  1. OLIVE
  2. Emma Gannon
  3. Copyright
  4. Praise for Olive
  5. Prologue
  6. Part One
  7. 1
  8. 2
  9. 3
  10. 4
  11. 5
  12. 6
  13. 7
  14. 8
  15. 9
  16. 10
  17. 11
  18. Part Two
  19. 12
  20. 13
  21. 14
  22. 15
  23. 16
  24. 17
  25. 18
  26. 19
  27. 20
  28. 21
  29. 22
  30. 23
  31. 24
  32. 25
  33. 26
  34. 27
  35. Part Three
  36. 28
  37. 29
  38. 30
  39. 31
  40. 32
  41. 33
  42. 34
  43. 35
  44. Epilogue
  45. Acknowledgements
  46. About the Author
  47. About the Publisher

I look in the bathroom mirror, comb my hair through and clip it so that one side of my hair is pulled back behind my ear. I put on a creamy glittery eye-shadow I got free at work and then immediately wipe it off. What am I doing? I am going on a daytime date, I do not need glitter. God, it’s been so long since I’ve been on a first date, and it shows. I decide to wear a floral dress and white high-top Converse shoes. Marcus has decided we should meet at the Barbican arts centre for an exhibition and a coffee. He has a lifetime membership pass. Honestly, my first thought was thank fuck he hadn’t booked crazy golf.

As I approach the building, I see him waiting in the lobby area wearing an oversized denim jacket. Hands in his pockets. A man self-confident enough to wait on his own without needing to scroll on his phone. His eyes light up when he sees me.

‘Hey!’ He walks over and gives me a hug. ‘So, I got us tickets for this exhibition all about AI.’

‘This series will explore the relationship between humans and technology,’ I read off the ticket. ‘Sounds intense for a date. We’ve skipped the crap film and bowling bit?’ I pause. ‘I’m into it.’

‘Great. Let’s go and pretend we’re intelligent and then have a nice big drink after.’

We wander around the exhibition and it is a little strange. There are half-eaten robots, big metal talking dogs, self-driving car simulations, USBs plugged into skeleton heads and holograms that feel so real, I flinch. One of the digital projections on the wall reminds me of a mix between Nineties Windows Media Player and the eyes of Kaa, the snake in The Jungle Book. The next projection makes a huge, unexpected bang and emits some fake smoke, and I find myself grabbing Marcus’s arm.

‘It’s a weird time we’re in, isn’t it? We’re so close to having self-driving cars, but then also have an HMRC website that is so slow and shit and politicians who don’t know how to tweet properly.’ I laugh.

‘Ha. I gotta say, I do hate how much time my girls spend on their phones. Art-directing countless selfies,’ he says, shuddering.

‘Yeah, I bet. It must be hard to know what’s doing damage and what stuff is actually a positive influence on them.’

‘True.’

‘I’m not perfect. I am glued to mine,’ I say.

‘It’s just difficult to know what they do all day on their phones. I can’t monitor them that closely any more. They are nearly adults, and it feels wrong to ask what they look at.’

‘You need a secret squirrel,’ I say.

‘What’s that?’ Marcus laughs.

‘A secret squirrel is the James Bond of the rodent world,’ I say, sticking my front teeth out over my lip.

‘You are so weird,’ he says, taking my hand.

We go to the bar, sit on stools. I awkwardly climb onto one, making a squeaking noise.