Olive
OLIVE
Emma Gannon
Copyright
Published by HarperCollinsPublishers Ltd
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by HarperCollinsPublishers 2020
Copyright © Emma Gannon 2020
Lines from Love After Love by Derek Walcott,
from The Poetry of Derek Walcott 1948-2013
reproduced by permission from Faber and Faber Ltd
Cover design by Holly Macdonald © HarperCollinsPublishers Ltd 2021
Cover illustration: Marina Podrez/Shutterstock.com
Emma Gannon asserts the moral right to be identified as the author of this work.
A catalogue copy of this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008382728
Ebook Edition © July 2020 ISBN: 9780008382711
Version: 2021-05-10
Praise for Olive
‘This tale of four young women trying to sort out the dilemmas of motherhood […] will bring relief and recognition to many. It’s a lovely book – thoughtful, searching, funny and (most importantly) honest’
ELIZABETH GILBERT
‘Funny in parts, painful in others, thoughtful throughout, it explores many dilemmas, with characters who feel utterly real’
SOPHIE KINSELLA
‘A profound issue wrapped inside an accessible, highly engaging novel … It’s wonderful’
MARIAN KEYES
‘Honest, relatable and incredibly real, Olive is going to resonate with an entire generation of young women’
LOUISE O’NEILL
‘Fresh, funny and utterly distinctive, and so loving and insightful about friendships and the way we grow and change within them’
EMMA JANE UNSWORTH
‘Emma Gannon’s novel raises important questions about women’s lives – important themes explored by a true champion of women’
NINA STIBBE
‘An unflinchingly honest and thoughtful piece of fiction … In Gannon’s capable hands, women are not so much divided along their disparate lines – but united’
PANDORA SYKES
‘Olive is a delicate, heart-breaking and delicious story that will bring a pang of delightful recognition to every woman who reads it’
SCARLETT CURTIS
‘Incredibly warm and loveable, you won’t be able to put Olive down’
Bustle
‘Olive’s story is big and bright and beautiful and holds up a much-needed mirror to society. I can’t recommend it enough’
LUCY VINE
‘I loved Olive. How I wish she had been around when I was thirty to reassure me there was more than one way to live a life’
SAM BAKER
Contents
Cover
Title Page
Copyright
Praise for Olive
Prologue
Part One
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Part Two
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Part Three
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Epilogue
Acknowledgements
About the Author
About the Publisher
Prologue
Editor’s Letter
Published 18 January 2020,
from issue #24 of .dot magazine
‘The Mother of all Choices’
by Olive Stone
I am the same age as my mother when she had me. Thirty-three. If I turn my face a certain way in the mirror, I can see her looking back at me – we have the same chin, thick dark hair, and a mole more or less in the same place above our lip. But I am miles away from who she was then. We might look the same, but in all other ways we are not. I was told when I was little by my grandmother, Pearl, that when you turn thirty, you are suddenly gifted a new kind of respect for yourself. ‘You will care less, as if by magic, my dear,’ she would say. ‘Being young is terribly confusing. Quite awful really.’
It’s true that as you grow older, you know yourself better. You leave bad parties slightly earlier. But then, the downsides: your bones are slowly beginning to disintegrate, a natural decline in bone mass, though consuming vegetables, protein and collagen might help. You start to realize exercise is no longer about vanity, but necessity. Your metabolism changes too, sadly starting to slow down. You start to realize you ‘should’ go easier on the cheese boards, but you won’t because brie is everything. Then there are the hangovers! Drinking two bottles of Prosecco doesn’t feel like having a beaker of lemonade any more – it fizzes and pops and aches in your head the next day; but fortunately you have more willpower now to ‘get on with it’. Rumour has it your libido changes too; it ebbs and flows and tends to dry up a bit, and of course you’ll start noticing a few more lines on your forehead and around your mouth that seem to be slightly more prominent than before, but you also think it looks cool. A sign that you know more stuff. You might feel the need to chuck out your entire wardrobe and start again, to reflect a new chapter in your life, a new confidence, a new relationship with your body. You slip into your new skin like a snake who’s finally come home. On the whole things start to seem easier and plus, you have a bit more cash now. This is everything grandmother Pearl foreshadowed.
And then bam – even though I should have seen it coming – babies are suddenly on the brain. There is an abrupt tap on the shoulder from friends, family, society and suddenly it’s the number one topic of conversation. Babies. Babies. Babies. When. When. When.
When I was twelve, in 1999, I remember being obsessed with snipping cut-outs from my mum’s old Argos catalogues and sticking them into the blank pages of my notepads. Notepads were the only present people bought me or put in my stocking, because I was always doodling as a tiny kid. I would have stacks of them: beaded ones, velvet ones, bright pink ones, furry ones, holographic ones, and secret diary ones with a lock and key. But I had stopped writing and started making collages instead. I would neatly cut around pictures of products I found interesting from the flimsy thin pages of Argos, and Pritt-stick them inside the blank pages. Navy-blue patterned plates. A big wooden rolling pin. Hand-painted tea cups. A garden slide. A stylish armchair. A woollen throw for the sofa. A picture frame designed for four landscape-shaped photos. I would trim carefully around each one with big kitchen scissors, in circular motions, around the plates, bowls, crockery. I would stick them into the blank pages, designing my life in detail from an early age. I believed I would have these perfect little things in my home when I was older. I would have a garden. I would live in a big house, bigger than my mum’s. I would have a husband. I would have a baby too, probably. Or two. Or three! Because that’s what you do. My friends would come round with their babies. They would all play together. We would go to the beach and tell them not to eat the sand, while we drank tea in flasks and reminisced about the good old days. That’s what grown-ups did. When I am an adult, I would think, everything will be good. I will finally be free. Adulthood = Freedom.
I painted a picture of my Big Bright Future through the lens of an old Argos catalogue, and today I am inside that distant future; in the painting, living and breathing it. But I don’t have the hand-painted tea cups, or the navy-blue patterned plates. I don’t have a garden slide. And I don’t have the baby either.
Looking back, perhaps the baby thing was always more of a blurry idea; one that I could never totally zoom in on. I could only really imagine it hypothetically. The idea of becoming a mother was something passed down to me – from my mother, and her mother’s mother, over centuries and centuries of social conditioning. It seemed like a no-brainer. Like all the other milestones in the how-to-be-a-person manual.
Turns out that you can’t Pritt-stick a life together as a child and then hop inside it when the time is right like Bert from Mary Poppins.
And so now, sitting here in 2020, typing this, I realize that I imagined a different thirty-three-year-old to the one I have actually become. This woman who has no sign of ‘twitching ovaries’, or fertility flutters, or random broodiness. I hold babies and, sure, they’re cute, but I give them back and don’t feel any biological shifts or urges. I see pregnancy announcements online and press the heart button but feel zero jealousy. I picture myself twenty, thirty years into the future, with silver in my hair, walking on a beach with a partner, writing in the evenings with a glass of wine, and multiple nephews and nieces visiting me in my cosy home. There might be no children of my own in my future, but why should this cause me any worry?
So why am I telling you all of this? Last month’s issue was all about exploring different variations on adulthood and motherhood. This whole issue of .dot is dedicated to exploring what it means to be child-free, by choice, and all the other myriad ways we might decide to live our lives. We hope you love this issue as much as we do, but we realize this is the tip of the iceberg: we aren’t done talking about these issues! The decision to have kids might be one of the biggest choices we ever face, and we should be talking about this in all its complicated, nuanced depth.
Thanks as always for choosing to read .dot, and we look forward to reading your letters and tweets.
See you next month,
Editor-In-Chief, .dot
Olive x
Part One
‘You know what gets to me? The knowing, smug smirk that so often accompanies the words: “You’ll change your mind.”’
Kym, 35
1
2008
‘WAKE UP OLIVE.’ Bea jostled me awake gently, and I drifted from my dream into the vibrations of her deep, velvety voice. She had plonked herself down on the bed next to me, her curvaceous body cushioned softly on the mattress. Through half-opened eyes, I could make out the outline of her head of huge, tightly curled hair. I had an unused face wipe stuck to my forehead and a pounding headache. I peeled it off and the sunlight streamed into my eyes. Bea had waltzed on in and opened my blinds again. There was no such thing as privacy in this house, and to be honest, that’s the way we liked it. The real world was a maze offering too many choices, too many narrow alleyways, too many wrong turns. Everything in this old and painted-over Victorian semi-detached house felt safe. We paid bills together, we ate together, we ran errands together, we were partial to a group nap. This was our much-loved university student house, and we would be leaving here forever in a few short hours.
‘Ugh?’ I said, moaning. I picked up my phone with one crusty eye open and saw my ghastly reflection looking back at me on the screen. My skin was still clear and smooth but my face looked puffier than usual and my green eyes were blackened, like a panda’s, with eyeliner smudged all down my face. My long black hair was knotted on one side, and there were sticky drink stains along my pale arms. I sniffed. Yes, it smelt like Sambuca. I had obviously attempted to clean my face with the wipe and failed miserably. I looked at the packet on the floor and realized it wasn’t even a face wipe, it was one of those kitchen wipes that you clean surfaces with.
‘Have you definitely packed everything?’ Bea asked, as she picked my underwear up off the floor and flung it into a carrier bag. She lay down next to me, so both of our heads were on my pillow.
‘Yes. Everything is done. Just a few tiny bits left in a few drawers. Oh my god,’ I croaked, ‘I sound like Deirdre Barlow. I must have smoked.’
‘I did try and stop you. Those horrible Marlboro Reds,’ Bea told me, closing her eyes and shaking her head.
‘I had such a good time last night …’ My voice shook, I was about to cry. ‘I don’t want us to leave, Bea. I don’t want this chapter to be over.’
‘Oh Ol. You just need a perspective change. This isn’t the end. This is the beginning,’ she said, and stroked my unwashed hair.
‘I want to stay here for ever.’ I nuzzled into her big comfy bosom. ‘It’s the end of an era. Us four, in this house together. They’ve been the best years of my life.’ I put my hand on hers. She smelt of Ghost perfume. Her cashmere jumper felt so soft. I just lay there, and inhaled her, my best friend. Past boyfriends had sometimes commented on how touchy-feely my friends and I were. We’d often pass out almost naked in each other’s beds. They never seemed to properly understand the intimacy of women.
The four of us had gone through the same phases over the years: like wearing all black because it seemed more chic; sporting the same gold friendship jewellery; we even got the same tattoo of a slice of pizza under our left boobs on a holiday in Australia (I know, what?). We all passed our driving test the same year, lost our virginity within a few months of each other, grew up with and quoted the same TV box-sets. It definitely felt like the stars had aligned when we all ended up going to University College London to study together. We had made a pact, as a four, that UCL would be our first choice. We all wanted to go to the big city together. But we had to get the right grades at A level first, and that was going to be tough because we had spent so much of school pissing about, going to house parties with boys and smoking too much weed. But results day turned out to be one of my favourite days ever. We ripped open the envelopes together, and screeched when we knew we’d be staying as a close unit for another three years. Maybe fear really is the only motivator in life.
We’ve shared all the same big milestones, the highs and the lows of new boyfriends, break-ups and family dramas. Our lives have pretty much mirrored one another’s exactly; with peaks and troughs, like lines on a graph.
‘It’s been an amazing chapter, babe. But … it’s time.’ I could tell Bea was sad, but she was also being optimistic. That’s Bea all over – the glass is always half full. The constant exhale of everything will be fine. She patted me, and then unclasped my hand, peeling herself away from me. Her presence always felt so motherly, so safe.