Back Never Goodbye Save as PDF
Chapters (71)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. CONTENTS
  5. PART ONE
  6. 1. ELLA BRODEN
  7. 2. DANA GOODWIN
  8. 3. ELLA BRODEN
  9. 4. DANA GOODWIN
  10. 5. ELLA BRODEN
  11. 6. DANA GOODWIN
  12. 7. ELLA BRODEN
  13. 8. DANA GOODWIN
  14. 9. ELLA BRODEN
  15. 10. DANA GOODWIN
  16. 11. ELLA BRODEN
  17. 12. DANA GOODWIN
  18. 13. ELLA BRODEN
  19. 14. DANA GOODWIN
  20. 15. ELLA BRODEN
  21. PART TWO
  22. 16. ELLA BRODEN
  23. 17. DANA GOODWIN
  24. 18. ELLA BRODEN
  25. 19. DANA GOODWIN
  26. 20. ELLA BRODEN
  27. 21. DANA GOODWIN
  28. 22. ELLA BRODEN
  29. 23. DANA GOODWIN
  30. 24. ELLA BRODEN
  31. 25. DANA GOODWIN
  32. 26. ELLA BRODEN
  33. 27. DANA GOODWIN
  34. PART THREE
  35. EIGHT MONTHS EARLIER DANA GOODWIN
  36. 28.
  37. 29.
  38. 30.
  39. 31.
  40. 32.
  41. PART FOUR
  42. 33. ELLA BRODEN
  43. 34. DANA GOODWIN
  44. 35. ELLA BRODEN
  45. 36. DANA GOODWIN
  46. 37. ELLA BRODEN
  47. 38. DANA GOODWIN
  48. 39. ELLA BRODEN
  49. 40. DANA GOODWIN
  50. 41. ELLA BRODEN
  51. 42. DANA GOODWIN
  52. PART FIVE
  53. 43. ELLA BRODEN
  54. 44. DANA GOODWIN
  55. 45. ELLA BRODEN
  56. 46. DANA GOODWIN
  57. 47. ELLA BRODEN
  58. 48. DANA GOODWIN
  59. 49. ELLA BRODEN
  60. 50. DANA GOODWIN
  61. 51. ELLA BRODEN
  62. 52. DANA GOODWIN
  63. 53. ELLA BRODEN
  64. 54. DANA GOODWIN
  65. 55. ELLA BRODEN
  66. 56. DANA GOODWIN
  67. 57. ELLA BRODEN
  68. 58. DANA GOODWIN
  69. 59. ELLA BRODEN
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR

Interrogation Room Two is not a place that anyone would feel comfortable, even if it weren’t used exclusively for questioning criminal suspects. It’s neutral in the worst way—gray paint, a small metal table pushed up against the wall, one metal chair on each of the three exposed sides. The fluorescent lighting is harsh, and there’s an overhead camera with a blinking red light.

“Richard,” Gabriel says upon entering, as if they’re old friends. He reaches out to shake Richard Trofino’s hand, which causes Richard to rise from the metal chair to grasp it. “I’m so very sorry for your loss.”

If the story we heard is correct, the uniform cops woke him with a phone call. They must have given Richard some time to change before transporting him down to One PP. He looks like he just stepped out of a GQ ad for business-casual attire. He’s clad in gray wool slacks, a well-starched white button-down shirt, and suede Gucci loafers.

Richard nods. In barely more than a whisper, he says, “Thank you.”

I would not have thought it possible for a man’s appearance to change so much in so little time. Less than twenty-four hours ago, Richard had stood in my office with his usual swagger, but now he has the look Jacob sometimes wears when he’s frightened.

“I’m so sorry,” I add softly.

I wonder if Richard is thinking clearly enough to understand that the next few minutes will determine everything. He hasn’t been Mirandized because he’s here voluntarily and Miranda warnings are only given to people in police custody, but I’m certain Richard knows that the smart move is for him to remain silent.

“Can I get you anything? Coffee, water . . . something to eat maybe?” Gabriel asks, still standing.

Richard declines the offer with a shake of his head.

This is Gabriel’s cue to sit, and I immediately follow suit. A beat later, so does Richard.

“Dana and I will be leading the investigation into your wife’s murder,” Gabriel says. “Let me state at the outset that this is going to be a no-stone-unturned situation. We’ve been given every available resource to track down her killer. The first step in that process, however, is you. I know you’ve already answered some questions. You must be exhausted, but we need to start from square one.”

I wait with bated breath for Richard’s response. The next thing out of his mouth will tell me exactly how he plans to play this.

His mouth starts to contort as if he’s about to say something.

Then he vomits all over my lap.

11. ELLA BRODEN

11.

ELLA BRODEN