Back Never Goodbye Save as PDF
Chapters (71)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. CONTENTS
  5. PART ONE
  6. 1. ELLA BRODEN
  7. 2. DANA GOODWIN
  8. 3. ELLA BRODEN
  9. 4. DANA GOODWIN
  10. 5. ELLA BRODEN
  11. 6. DANA GOODWIN
  12. 7. ELLA BRODEN
  13. 8. DANA GOODWIN
  14. 9. ELLA BRODEN
  15. 10. DANA GOODWIN
  16. 11. ELLA BRODEN
  17. 12. DANA GOODWIN
  18. 13. ELLA BRODEN
  19. 14. DANA GOODWIN
  20. 15. ELLA BRODEN
  21. PART TWO
  22. 16. ELLA BRODEN
  23. 17. DANA GOODWIN
  24. 18. ELLA BRODEN
  25. 19. DANA GOODWIN
  26. 20. ELLA BRODEN
  27. 21. DANA GOODWIN
  28. 22. ELLA BRODEN
  29. 23. DANA GOODWIN
  30. 24. ELLA BRODEN
  31. 25. DANA GOODWIN
  32. 26. ELLA BRODEN
  33. 27. DANA GOODWIN
  34. PART THREE
  35. EIGHT MONTHS EARLIER DANA GOODWIN
  36. 28.
  37. 29.
  38. 30.
  39. 31.
  40. 32.
  41. PART FOUR
  42. 33. ELLA BRODEN
  43. 34. DANA GOODWIN
  44. 35. ELLA BRODEN
  45. 36. DANA GOODWIN
  46. 37. ELLA BRODEN
  47. 38. DANA GOODWIN
  48. 39. ELLA BRODEN
  49. 40. DANA GOODWIN
  50. 41. ELLA BRODEN
  51. 42. DANA GOODWIN
  52. PART FIVE
  53. 43. ELLA BRODEN
  54. 44. DANA GOODWIN
  55. 45. ELLA BRODEN
  56. 46. DANA GOODWIN
  57. 47. ELLA BRODEN
  58. 48. DANA GOODWIN
  59. 49. ELLA BRODEN
  60. 50. DANA GOODWIN
  61. 51. ELLA BRODEN
  62. 52. DANA GOODWIN
  63. 53. ELLA BRODEN
  64. 54. DANA GOODWIN
  65. 55. ELLA BRODEN
  66. 56. DANA GOODWIN
  67. 57. ELLA BRODEN
  68. 58. DANA GOODWIN
  69. 59. ELLA BRODEN
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR

I take a deep breath and then push open the doors.

The District Attorney sits behind his mammoth desk, looking as if he’s posing for a portrait. For a man in his early fifties, McKenney could pass for ten years younger. The floppy hairstyle—Robert Kennedy on the campaign trail—has something to do with his youthful appearance, but the fact that he’s tall and trim doesn’t hurt either. He’s bookended by the American and the New York State flags. Sitting in his guest chair is his deputy, Larry Kassak, a shorter, more swarthy individual I’ve never particularly cared for, although we haven’t had enough encounters for me to have an informed opinion about the man.

“Good. You’re here,” McKenney says.

“I’m sorry for being a little late,” I stammer. “I was . . . delayed on the train.”

McKenney doesn’t respond to my excuse. Instead, he gets up from his desk and walks over to his closet, out of which he pulls his overcoat.

We’re leaving the building, apparently. I notice that Kassak is wearing his topcoat too.

“Are we going somewhere?”

“Yeah, grab your coat. We’ve got a car waiting to take us over to One PP.”

One PP—One Police Plaza—is the address of police headquarters.

“Can I ask what this is about?”

“We’ll brief you when we get there,” Kassak says.

7. ELLA BRODEN

7.

ELLA BRODEN

On Thursdays at nine, I see Allison. Also on Wednesdays.

She’s a psychiatrist.

Her office is located in a townhouse on Jane Street. There’s a narrow staircase leading from the street directly to the third floor. I suspect Allison owns the entire house, either because she inherited the property or because her husband is a banker or an art dealer or something. It must be worth at least $10 million, and you don’t amass that kind of fortune charging by the hour, even if it’s in $400 increments.

The bills are sent to my father—the only bit of his charity I rely upon. I assuage my sense of entitlement with the thought that I’m doing it more for him than for myself. He insisted I see someone, emphasizing that it was necessary after the trauma I’d suffered. I might still have resisted, finding nothing wrong with sleeping all day and self-medicating with junk food, but for the fact that Gabriel echoed the sentiment.

Allison’s office reveals a woman’s touch. Lots of florals and pastels, with furnishings that tend toward the Victorian. My seat is a case in point—a long sofa upholstered in a mauve-colored velvet. It’s a piece that might have been referred to in another age as a “fainting couch.” Allison’s chair is midcentury modern and black leather, which doesn’t fit at all with the rest of the décor. So much so that I wonder if its presence isn’t some type of Rorschach test.