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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

At the sight of her, Valentine Ross laid down his still-unlit cheroot and stood up. A nervous smile creased his cheek and he raised his hand. The tall young woman did not return the smile, or else had not seen it. She hesitated a moment, as though she might be short-sighted and feared to stumble on the pathway through the tea tables to where he stood. So he began to move towards her. Mrs Morrissey watched him greet her with a formal little bow, then offer his arm and she took it and they returned together to where he had been sitting.

Clorinda Morrissey pulled out a chair for her, realising as she did so that she, who had sometimes been considered tall in Ireland, only came up to the lady’s chin, her starched lace cap notwithstanding.

‘Mrs Morrissey,’ said Valentine Ross, ‘may I present to you Miss Jane Adeane. Miss Adeane is the daughter of our renowned surgeon, Sir William Adeane, with whom I have the honour to work.’

Mrs Morrissey, though she was the patronne of her own enterprise and now known by name across most of the city of Bath, was nevertheless scrupulous about curtseying to those she served. This curtsey, however, was more a charming little bounce, as though her shoes contained invisible springs, and she noticed that it sometimes made people smile. She wished to tell them that she performed it in this way, not to amuse them, but simply to save time, that the proprietor of a tea room must be forever scuttling from one task to the next, from stove to kettle, from sink to linen cupboard, from jam jar to cream dish, from formal greeting to Bill of Sale – and all without seeming to be flustered or discommoded in any way. She really had no leisure for curtseys.

Clorinda Morrissey performed her bounce now and saw a smile break out on the stern features of Miss Jane Adeane. Miss Adeane held out her hand in greeting and Mrs Morrissey took it.

‘I have heard,’ said Miss Jane, ‘about the lemon cake.’

The coal fire burned a volcanic red. Among the tea-drinkers, one small dog lay watchfully under a table, waiting for time to pass, waiting for his mistress to remember how much he longed to walk in the fresh air. At another table, an elderly man – or gentleman, as he would have preferred to be called – sitting alone, appeared to be a Person of the Cloth, but was, at that moment, in the very act of staining that cloth with clotted cream and sticky crumbs from his scones. Though he did not appear to notice his own clumsiness, others among Mrs Morrissey’s clientele may have looked up and been amused by the mess he’d made.

If these same people had glanced at Valentine Ross, they would have taken him, at first sight, for the dependable, hard-working and prosperous man that he was. Those hard blue eyes, perhaps, suggested a certain ruthlessness in his character, or that he had moments of inappropriate yearning or imagining, yet it was of course impossible to guess what these might be.