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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

Sir William got up and put some coals on the small fire. A northerly wind keened in the chimney stack and blew smoke back into the room. Sir William turned and asked abruptly, ‘Was it on your account that Jane went away?’

‘On my account, Sir? Why would you suppose that?’

‘I do not necessarily “suppose” it. I merely note that something happened to send Jane to London without any warning – something she never spoke of to me. I also cannot fail to notice that since her departure you have not been yourself. There seems to be a matter that is causing you grief and I have begun to wonder whether it is Jane’s absence.’

‘Of course I miss Jane,’ said Ross, as brightly as he could. ‘We couldn’t fail to miss her in this household – both you and I. But I am glad for her that she is enjoying London Society. She works so hard when she is here, it is quite right that she should have a change of scene.’

Sir William looked closely at Ross. ‘A very careful answer,’ he said, ‘but one that tells me nothing. Have you not something else to add?’

‘I don’t know what it might be,’ said Ross. ‘Only that I have been worried lately on account of my brother. As you know, he is travelling very far away and I haven’t heard from him since the letter which told me he was ill. I am very sorry if this worry has made me careless in my work …’

‘No. I’m not implying that. Your work is always very good. It was you who discovered the small, multiple tumours in Mr Latimer’s lung, when at first I could not see them. But I ask myself whether there have been other things that I have been blind to. For I heard today from Mrs Morrissey that you took Jane to the tea room, that there appeared to be some quarrel between you and that Jane made one of the sudden departures for which she is well known.’

‘Oh,’ said Ross. ‘No, you have quite misunderstood. I did invite Jane to tea at Mrs Morrissey’s, but we had no sooner begun our very charming half hour, when she remembered that she had agreed to escort a patient to the Hot Bath at five o’clock. She was enjoying her cake, but alas, she had to leave most of it uneaten. Such, as you know well, is her dedication to her duty.’

‘Ah,’ said Sir William. ‘So there is nothing between you?’

‘What is between us is what has always been there: respect and admiration, nothing more.’

‘But cannot these – respect and admiration – undergo some metamorphosis which transform them into love?’

‘Quite possibly,’ said Ross. ‘But not in this case.’

VANISHING ANGEL

The day after Emmeline’s soirée, with the January darkness closing in upon the long afternoon, a caller arrived at the door.

It was Julietta Sims.

She was shown by the maid into Emmeline’s studio, where the artist was once again struggling to capture the features of her niece in the half-completed portrait.