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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

And what, in her, had justified her disdainful refusal of a man like Valentine Ross? Jane knew that, as a doctor, he was accomplished and strong, that he had done no harm in the world, that he was offering her an honest life. Yet she had treated him like a foolish boy, teasing and belittling him. Was this fact alone not proof that where she thought she was marvellous, she was merely haughty and full of pride?

And yet …

It persisted in her – she knew that it did – this feeling that her life would one day bring her proof that she was exceptional. But how was she to advance towards that proof?

Jane looked down at the small figure in her hands. And it came to her that it had been suffering which had refined Emmeline Adeane. She herself had been through flames and had found the means to heal herself. Without realising that she was speaking aloud, Jane whispered, ‘when or how will any flame engulf me?’

‘What did you say, Jane?’ asked Emmeline.

‘Oh. I was just giving words to what was in my head.’

‘And what was in your head? It’s your mind as well as your body which this portrait is going in search of.’

‘Yes, I know, dear Aunt. And if you find it, do please tell me what I’m thinking.’

‘Naturally I will. But now you must tell me what you just said aloud.’

Jane turned her head for a moment, regarding the low day-bed where, she had been told, to her emphatic distaste, Mr Hulton used to lie and practise onanism while watching the young Emmeline’s unclothed right arm at work upon a painting.

‘Well,’ said Jane, ‘I was remembering that before I came to London I refused an offer of marriage.’

‘Ah,’ said Emmeline, pausing for a moment with her stick of charcoal in her hand. ‘Whom did you refuse?’

‘He is no one. Or that is how I can’t help but see him. He proposed to me in a tea room.’

A broad smile now lit Emmeline’s face. ‘A tea room, indeed,’ she said. ‘What kind of cake were you eating?’

‘I believe it was a lemon cake. And at a table not far distant there was a small dog which began to howl.’

‘Ah. So the dog’s howling helped you to make up your mind to refuse the man?’

‘No. I knew I would refuse him. The name of the person is Valentine Ross. And I could never marry a man called Valentine, could I, Aunt? There is far too much romantic flummery in the name, isn’t there?’

‘Romantic flummery? And that, of course, is not to your taste?’

‘No. It certainly is not. I like things to be stark and plain.’

Emmeline was silent. She turned back to her work on the portrait. Then, she said to Jane, ‘What was Valentine’s station in life?’

‘Oh,’ said Jane, ‘he is a doctor, who works with my father at Henrietta Street.’