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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

All this made a logical progression through Ross’s mind as Chesterfield began gathering more clothes from the dirty floor, but he understood, deep in his heart’s core, that he would never confess it to any living soul.

‘I was a good doctor,’ was all he said.

‘But you use the past tense,’ said Chesterfield. ‘Why is that?’

‘Because that is all there is,’ he said. ‘In the middle of an ocean, there is only stasis. All I know is the past.’

‘Have you no plans for when you arrive in Singapore, Sir?’

‘I will not notice Singapore. It has no meaning for me. I will only seek out some kind of native craft at the wharves there. Praus, I believe they are named. To convey me to Borneo.’

‘To take up your doctoring again?’

‘No. I go for only one reason: to save my brother.’

‘From what, Sir, if I may ask?’

‘I do not know. Now, when you have collected sufficient laundry, please be good enough to go away and leave me to myself.’

The old servant was slung about with a capacious canvas bag, into which he now began piling Ross’s cast-off things. He did this hastily, almost in the manner of a burglar carrying off his swag, and this action of his brought to Ross’s face an amused smile. He was tempted to say to Chesterfield that once he had washed and pressed the shirts and undergarments, he could keep them for himself, that his despair was so complete that he really did not care if he was forced to walk about the ship naked and submit to the ridicule of having his private parts exposed to strangers. But he held back from this. It was as if he believed that remaining covered up, indeed almost invisible in his wooden hutch, he might at last construct a new person, one who had eaten all his shame and let it pass through him into a stinking pot, taken away by a man whose only vanity was to believe in himself.

He asked himself how on earth this new Ross could be assembled.

It came to him that if he could recall more than a scant few genuine acts of kindness in his life, then these might act as a kind of guide-rail on which he could lean when the weather of self-loathing blew in.

He lay in his coffin-bed and tried to cover himself with a blanket of recollection. He took himself to the Wiltshire lanes and woods of his childhood. He carried a butterfly net. Ahead of him – always running on ahead and then suddenly stopping when he sighted an insect or a plant which interested him – was Edmund, blithe and happy in each passing moment, an innocent whose collecting zeal brought bright blood to his cheeks and laughter to his throat. Edmund would shout instructions to him: ‘when we reach the field, tread softly, for plovers nest on the plough. Hark when the wind rattles the gorse, for we shall find bees clinging to the flowers. Watch the sky for us, so we are not lost in the dark.’ And he always tried to obey his brother and then, at the end of an afternoon, guide them safely home. For it was in Edmund’s nature to stray from the path, to lose his sense of direction, and more than once it was Valentine who had led his brother back, as the dusk came on, to where their mother waited in her parlour with a lit lamp and worry in her heart for her boys.