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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

‘I tried. I kept trying. But however urgently my hands moulded and remoulded it, it would not take any kind of admirable human form. It was deformed – hunched and bowed, with fat limbs, a too-large head and a sad face. I worked on and on and the rain stopped and I was weary beyond any imagining. I recalled Mary Shelley’s terrifying evocation of the birth of Frankenstein’s Monster. I was appalled by what I had made. I took up the golem and threw it into the hot ashes of the fire.’

Emmeline had paused here and come to sit at Jane’s feet. She took another sip of laudanum and offered Jane the jar and she drank, too. They did not speak. Jane felt the laudanum’s instantaneous consolation enter her blood. She took her aunt’s hand and held it tenderly. She knew the story had not reached its end.

After some time had passed in silence, Emmeline continued: ‘I went back to my room and lay down. I fell asleep and didn’t wake till morning. And when the morning came I remembered what had happened and I got up and went and stared at the ashes of the fire. I expected to find that the golem had burned away, but of course it had not. It was merely baked as though it had been put in a potter’s oven. It had refused to die.

‘I fetched a clean cloth and wrapped it round the thing and brought it onto my lap. I rubbed it to get the ashes away. It was hard and brittle and cracked here and there, but I cradled it in my arms. I felt that I loved it.’

‘You loved it? When you made it, it dismayed you, but now you felt love for it?’

‘Yes. And in that feeling of love was great consolation. I had been so unhappy – to lose my babies and then to lose my lover. And some of that sadness … I felt it leave me. I felt I could go on with my life and my work.’

Emmeline had got up and begun to walk about the room. Jane’s eyes followed her passage from the couch to the window and back to the laudanum jar.

‘That is the end of the story,’ said Emmeline. ‘I used to think there might have been something magical, something supernatural in it, but now I see that it was just a sequence of events which led abruptly to an ending. So I tell you it only to stress my belief that our minds can be consoled by the strangest things. And it told me also that we cannot shape the world according to the delights society decrees appropriate for us. We must be unconventional in our joys and find them wherever we can.’

‘That is my reasoning, too,’ said Jane. Then she asked, ‘Do you still have the little golem, Aunt Emmeline?’

‘Yes,’ said Emmeline. ‘I keep it in an old wooden shoe-box, shaped much like a coffin. When I look at it, I still feel tenderness towards it.’