Back Islands of Mercy Save as PDF
Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

THE TREASURE HOUSE

The Hansom Cab from Paddington Terminus had deposited Jane first in Tite Street, where Emmeline’s maid, Nancy had aired and warmed the room Jane had occupied during her long stay in London. And it was here that Jane had intended to return after she was cast out of the hospital in the early evening, but now the thought of being alone in Emmeline’s house as the night came on was inimical to her. She wanted to talk, even to be allowed to cry, if that was what she found herself doing. And she knew where she had to go.

Relieved as she now felt that she had not sent her letter of renunciation to Julietta, she nevertheless told herself that she was not seeking out her lover, to be embraced again by her; she was seeking out Julietta and Ashton – her friends and Emmeline’s, and with them she would find the comfort she needed.

As she approached the tall house in Tedworth Square, she caught a brief glimpse of a well-dressed young woman, who ran quickly down the steps and climbed into a waiting carriage.

Jane paused in the street, watching the carriage being driven away. And she felt, in that instant, that she knew what had just happened: Julietta was alone in the house and had been visited by one of her ‘beauties’.

If Jane believed for a moment or two that she should turn round and go straight back to Tite Street, she also knew that she was unable to do this. The thought of Julietta in her bed, damp and somnolent after the passionate attentions of the young woman, woke in her such mixed feelings of jealousy and longing that all else disappeared from her mind except the need to see the lover she had almost sworn never to meet again.

She went up the steps of the house and rang the bell. The maid who answered the door, bobbing a little curtsey to Jane as she went in, was no older than seventeen and extremely pretty and Jane glancingly wondered whether this innocent girl was now and then invited into her mistress’s bed. She was led into a large drawing room, where a fire was burning. Told that Mr Sims was abroad and that Mrs Sims had retired early, she asked the girl to fetch pen and paper.

The maid went out to find this and Jane sat down on a Louis XVI chair upholstered in pale blue brocade. She looked about her at the treasures acquired by Ashton Sims and his wife: the Ormolu clock on the marble mantelpiece, the China blackamoor holding aloft a gas lamp, the exquisitely covered sofas and chairs, the Georgian tables, the Turkey carpet, the Dutch paintings, the palms in huge ceramic pots, the silver candelabra, the oak bookcases filled with leather-bound editions of Ashton’s authors’ works, the dog basket lined with sheepskin … And she thought, all this is right for Julietta. She belongs to this world of expensive, perfectly arranged things, for she is Beauty Itself. She could imagine the palms longing to caress her with their leaves, the Dutch pitcher-bearer in one of the paintings gazing mournfully down upon her, wishing she could escape from the picture to hold Julietta against her bosom. If these thoughts were childlike and foolish, Jane didn’t care. She felt herself to be seated, now, in some inner sanctum of human pulchritude. She could almost hear music rising from the floor or whispering from the walls.