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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

Then she felt something touching her chin and she realised it was a man’s whiskers, and the tickling feeling was horrible and she tried to raise a hand to push the man away, but found that she could not raise it. She thought that perhaps she had been turned into some farm animal, penned into a crate and that the man was about to eat her.

Then she heard a voice and recognised it from somewhere, and the voice said, ‘Is she awake, doctor? Is she living and breathing?’

The face disappeared. Emmeline was able to turn her head a fraction and tried to find words in her mind for what she could see. On a table not far from her, there was a collection of … what were they called? Shiny things, sharp things which looked as if they could wound …

The friendly, familiar voice said: ‘It’s Mr Hartley, Miss Adeane. Mr Foulkes and I thought it best to bring you here, to the doctor. You were taken with a bad turn on our premises. How are you feeling?’

She was able to nod her head, but not speak any words. She could see Mr Hartley’s kind face and this was then joined by the lined visage of Mr Foulkes, who said, ‘you gave us a bitter fright, dear lady. But you are safe at last, with a medical man.’

Now, she lay in a hospital bed. The ceiling above the bed appeared very far away and strangely clothed with dark, moving shadows. She stared at these and tried to give them form, but their form eluded her.

Down the length of the ward, echoes travelled. They were the echoes of footfalls and voices, but Emmeline’s mind was unable to say whether they were in past or present time. And these confusions – the formless shadows moving without ceasing, the noises which came and went in a peculiar surging tide – led her to believe that some catastrophe had overtaken her. Its origins remained a mystery. The last thing she could remember was climbing into a Hansom Cab, holding something in her arms.

Some time passed, during which Emmeline fell into a light sleep and when she woke, she saw a figure in white standing beside her bed. The figure remained very still, looking down at Emmeline, who, seeing the white gown, knew that she should be comforted by this person in some way, but she was not comforted. She searched the features, thinking to recognise there something familiar, something tender, but she was looking at a dark brow, at close-together eyes and understood that the stranger would not help her.

She went away and Emmeline resumed her contemplation of the formless shadows playing across the high ceiling. She knew that she was searching for a name and that when she found it, she would have to try to say it aloud, for in this name resided her only hope of understanding what had happened to her.

She searched all night, or at least through what she believed to be night, and when the dawn appeared to break somewhere in the high room, she found the lost one-syllable sound that had been buried somewhere inside her, held down by her sick heart, and she summoned all her strength and began calling out, ‘Jane! Jane!’