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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

The Morrissey flat was small and cluttered with all the cheap household furniture which Michael and his wife Kathleen had bought for it over the years, now collapsing slowly where it stood, the table propped on wood blocks, a blanket chest gnawed by worm, a larder cupboard nailed up with broken chicken wire. Soot from the coal range blackened the ceiling and tainted the air. Toys Michael had made for his girls from bits and pieces of pine and plywood lay about the floors and got under everybody’s feet. Mice fretted behind the skirting boards.

There were two bedrooms and in one of these Maire and her sister Aisling slept. Since Maire’s illness, Aisling, too, had been in torment, kept awake night after night by her sister’s snores and by her crying. One evening, she had crept down to the street and climbed into the baby carriage abandoned near the tenement door and tried to sleep in that, with her feet splayed out against the handle.

When Michael found her like this, he understood that things couldn’t go on as they were. By some means, he had to find the money for an operation for Maire. He had to give them all hope in a better future. He stood in the empty street, looking down at Aisling’s eleven-year-old limbs contorted in the attitudes of an exhausted sleep and it was at that moment that he remembered the ruby necklace.

Told that his sister would bring her ‘fiancé’, a renowned surgeon, to Dublin to operate on Maire free of charge, Michael felt confused. He knew, without needing to be told, that Clorinda felt little for her nieces, that her successful business in Bath had taken her very far away from Ireland and from the family, and the feeling that she had to pay some price for this – for a kind of betrayal of her Irish roots and her blood relations – was disinclined to leave him. But what kind of price? To press her about the heirloom – which he now reasoned, must have been sold to establish her tea room – seemed a good way to begin her punishment. Perhaps it would end with that, or perhaps it would not?

Now, he wasn’t sure what to do. He could see that the offer she was making was generous. If Sir William Adeane were able to save Maire, then Clorinda would have to be forgiven and the moment, then, might seem inappropriate to a discussion of the ruby necklace. In Michael Morrissey’s dreams, however, these things were strangely conjoined: the wound that would have to be made in Maire’s neck; the circlet of blood-coloured jewels. To exchange one for the other had a symmetry about it which obstinately appealed to him.

But it soon transpired that Clorinda’s plan would not work. For this life-or-death operation, Maire would need to be taken into hospital. It wasn’t something which could be performed on a kitchen table. Michael Morrissey had hurried to the hospital to tell them that a great English surgeon, Sir William Adeane was offering to perform the procedure. But, the Dublin doctors, informed peremptorily that Sir William was proposing to colonise hospital staff and precious resources for his own use (and his own aggrandisement) chose the path of rebellion.