Chapters (67)
- Cover
- Note to Reader
- Dedication
- I
- Murano
- Bubbles
- Vessels
- A Peacock in a Cage
- At the Fishhouses
- When It Is Over, It Will Be Over
- Letter from the Pribilofs
- II. Go West
- You’re
- Mae West: Advice
- Marriage
- Censored
- Freedom
- Go West
- The New Woman
- Mae West: On Aging
- “Celebrity” Striptease at Southern X-Posure
- Confessional
- Self-Portrait as Mae West One-Liner
- Never
- Prayer
- Envoi
- III
- W.C. Fields Takes a Walk
- Philip Larkin’s Koan
- Once
- Saturdays at Reynolds Work Release
- Olive Oatman in Texas
- Assemblage of Ruined Plane Parts, Vietnam Military Museum, Hanoi
- IV. Shooting the Skulls: A Wartime Devotional
- Portrait of F19: Male, 42 Years Old
- Portrait of D6: Male, 38 Years Old
- F21: Male, 37 Years Old
- Devotional
- Devotional
- Portrait of F11: Female, 39 Years Old
- F20: Male, 29 Years Old
- Portrait of D19: Male, 41 Years Old
- Portrait of D17: Female, 37 Years Old
- C18: Male, 36 Years Old
- Devotional
- Devotional
- Portrait of E4: Male, 34 Years Old
- Devotional
- Devotional
- C2: Male, 42 Years Old
- Portrait of E20: Female, 32 Years Old
- C11: Female, 54 Years Old
- Portrait of B4: Female, 34 Years Old
- Portrait of C8: Male, 32 Years Old
- V
- Baucis and Philemon
- Rhetoric
- Irises
- Monticello Vase
- Birthday Poem
- Mortal Love
- The History of Paisley
- Notes
- About the Author
- Also by Paisley Rekdal
- Acknowledgments
- Special Thanks
at sleeves and hem, the silks
which hissed whenever I walked—
Without a mirror, I might forget
why I inspire crowds to gather: my marks
have eroded only to marks,
curlicues of smoke beside the scar
I still remember raised
along my sister Mary Ann’s cheek.
Cut with a knife by a Yavapai
during our struggle, Mary Ann was the one
who bore pain without crying. Sister,
she soothed me as I stanched the blood,
beside all the things we’ve lost, what now
is a cut? She was right:
what we’d lost was greater, yet harder, too,
to imagine. The red threads webbing
our mother’s eyes. And how our father stared,
unblinking, down the valley’s desiccated length
in the hope of finding his family
its promised home. In truth, we’d run into trouble
long before the Yavapai attacked,
my father having prepared for our journey
poorly, so that after a week we’d eaten
through our supplies, then split the last
of our water barrels. Two of our cattle died.
And then my father himself succumbed
to those fits of weeping prayer that led us first
out into the desert, where my six siblings learned
to catch desert grouse, and I lanced the heart-
colored cactus flowers like boils
for water. Mary Ann said it was our father’s burden
to lead, ours to follow: only in our suffering
would God’s truth in him be revealed. What truth I know
is how we clung to each other, hearing the cries
circling our fires, watching Lorenzo,
our youngest brother, clutch a knife and claim he’d kill
any Indian who came near.
The desert night grew chill, a white sun rose, and the rest
has been written about in the papers.
But of all these things, it is my face
about which strangers wish to hear, and not
how we walked past the bodies
of our parents, our siblings—people we recognized
but had no relation to: Mary Ann and I
tied, and taken as slaves until
some passing group of Mojave, taking pity on us,
purchased our freedom. For the next eight years,
we lived with them. But why
had we let ourselves be marked
like them, why lie still for the quill
struck repeatedly into our chins, its sting
of coal smuts scrubbed into our welts?
Once I thought these filigrees
had always existed inside us, showing
the pattern from which we were made: not a new
version of ourselves but the original, as if
we, too, were composed of our father’s
weakness and belief. But Mary Ann said they were signs
only of a willingness to live: we could not be
accountable for our appearance here,
she said, nor more truly
each other’s sister, for now
our resemblance to each other had been made
complete. Still, when I pass the sudden
shock of a mirror, or finger the black
rise of skin on skin, I am amazed anew