Chapters (43)
- Cover
- Note to the Reader
- Acknowledgments
- Dedication
- Still Life
- Hum of the Machine God
- Athazagoraphobia: Fear of Being Ignored
- How to Disappear Completely
- Man Matching Description
- The Sky, Now Black with Birds
- Looks Like a Boy
- A Detroit Hum Ending with Bones
- On Metal
- Masticated Light
- On Gentleness
- Chionophobia: Fear of Snow
- The Boy Who Bathes the Dead
- Thalassophobia: Fear of the Sea
- Coming Back for You
- Hum of the Machinist’s Lover
- Hum for the Hammer
- Neat
- How to Get Your Gun Safely Out of Your Mouth
- And Even the Living Are Lost
- Aichmophobia: Fear of Needles
- I Do Have a Seam
- Triage
- The Man Who Paints Mountains and Helicopters
- Hum for the Stone
- The Girl Who Builds Rockets from Bricks
- Mechanophobia: Fear of Machines
- Pomegranate Means Grenade
- The God Engine
- Paper Frog on Spring
- Thinking Like a Split Melon
- If They Hand Your Remains to Your Sister in a Chinese Takeout Box
- Paper Crane on Letting Go
- Hum for the Bolt
- Paper Tiger to Wind
- Macrophobia: Fear of Waiting
- The Hum of Zug Island
- Ask What I’ve Been
- About the Author
by wind, until they blur like a sandstorm—
he hears it all. Deafening like footfalls
against the icy driveway, resonant
like your mother’s voice, calling
the wrong name—your name—again.
The Boy Who Bathes the Dead
The Boy Who Bathes the Dead
The boy decides soldiers can no longer be dead,
so he begins to dig.
Graves are shallow enough that, using only his hands,
he quickly finds a limb,
buried without a corpse. He brushes dirt away,
slides the arm into the pocket of overalls.
Until all soldiers are found and placed
in separate ziplock bags,
his fingers rake soil,
churn the dark earth. His brother
finds him afterwards filling a sink to rinse
the crevices and metal joints, worried
he bathes the plastic infantry too carefully.
As if they had families. As if they were men.
Thalassophobia: Fear of the Sea
Thalassophobia
Fear of the Sea
for David Blair
Tonight, you are sweat-itchy and drunk.
Your guitar sleeps under black felt
in a case under Cinco de Mayo’s black sky.
Your laugh pours like thick honey. Your arms
open, the gap between your teeth opens
and I am uncomfortable as only you
can make me. You stubbled kiss.
You friction against cheek. You taught me
how to kiss my father and I am less forgetful
as you made me, though forgetful enough
not to exhale when sleep wraps
coral around my throat until my lover
wakes me, choked with nothing
and I tell her I am drowning.
I fill toilets and sinks and rugs
with bottles of whiskey I can’t quite hold
in the empty thing that is my belly. I pour
and swallow and pour and swallow
and pour it all back into my cupped hands.
Tomorrow, I will still be reckless
just like you taught me, and though I still itch
at the thought of wet clothes clinging to skin,
I long to hug you after a performance
before the night air evaporates the proof
of that work from your back. I want to believe
water is just water—what you said that day
the sky turned dark-aluminum above us. You said it
as though nothing had ever been warped by rain.
In this last dream, there is no rigging
to get tangled in, no water to rush
down our throats. My hand
is uneasy on your leg, my head against
your shoulder. You don’t find it heavy
at all. You’re singing.
Everyday the shells you left behind remain
clean, though no one is left to rinse
the sediment away. Who should have such a job?
Somewhere between your wake and a new town
I can’t call home, I slept in a bathtub
with the clock radio cranked loud enough to be heard
over the thundershower because I couldn’t sleep
in my car for another night, and the bed
in that motel room was lumpy and dream-soaked,
and you know how I am: Blair,