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Chapters (43)
  1. Cover
  2. Note to the Reader
  3. Acknowledgments
  4. Dedication
  5. Still Life
  6. Hum of the Machine God
  7. Athazagoraphobia: Fear of Being Ignored
  8. How to Disappear Completely
  9. Man Matching Description
  10. The Sky, Now Black with Birds
  11. Looks Like a Boy
  12. A Detroit Hum Ending with Bones
  13. On Metal
  14. Masticated Light
  15. On Gentleness
  16. Chionophobia: Fear of Snow
  17. The Boy Who Bathes the Dead
  18. Thalassophobia: Fear of the Sea
  19. Coming Back for You
  20. Hum of the Machinist’s Lover
  21. Hum for the Hammer
  22. Neat
  23. How to Get Your Gun Safely Out of Your Mouth
  24. And Even the Living Are Lost
  25. Aichmophobia: Fear of Needles
  26. I Do Have a Seam
  27. Triage
  28. The Man Who Paints Mountains and Helicopters
  29. Hum for the Stone
  30. The Girl Who Builds Rockets from Bricks
  31. Mechanophobia: Fear of Machines
  32. Pomegranate Means Grenade
  33. The God Engine
  34. Paper Frog on Spring
  35. Thinking Like a Split Melon
  36. If They Hand Your Remains to Your Sister in a Chinese Takeout Box
  37. Paper Crane on Letting Go
  38. Hum for the Bolt
  39. Paper Tiger to Wind
  40. Macrophobia: Fear of Waiting
  41. The Hum of Zug Island
  42. Ask What I’ve Been
  43. About the Author

May sandpaper be the rough

hand that rubs you smooth.

Be carved until the end of you is a wedge—

you already know the precision it takes

to fit well enough not to be dislodged.

Be a length of carbon-rich steel,

2,350° F in the open flame

before you are positioned between

two dies, let the pressure have

all of you until you are formed.

Have the flash cut from you;

excess is excessive. Be cooled in water,

not air. Don’t breathe. Drown.

Neat

Neat

Hidden by the overhang of a circular bar,

lies a man who’s seen the bottom of his tumbler.

No one is above being invisible,

not even me, with my shirt tidily pressed,

another man who’s seen the bottom of a tumbler.

Each swirl of scotch nudges closer to the rim.

Not even my shirt will stay tidy and pressed,

my tie cinched and secure. It’s waiting to unravel.

Each swig of scotch nudges me closer to a rim

every day, drops roll off the cliff of my parted lips.

My tie cinched and secure, I’m waiting to unravel,

waiting to spill into sleep—joints sore and speaking.

Day drops off a cliff. My lips part,

I drool on scuffs and bruises from boot and heel.

What I spill seeps, joins the floor, speaking

about straight shots taken to the head.

I’m all scuffle and bruises barely healed.

A swallow of whiskey won’t drown my questions.

Another shot won’t take me out of my head.

Why do I dress with this much care?

Swallow whiskey? Drown in questions?

Why a beard so prepared, ensemble so neat?

Why dress this carefully?

Why bother to drag a razor through the shadow

of a beard, prepare, assemble, neatly

tie a loop with no beginning or end, only

to be a bother, a draggled, razor-thin shadow,

hidden by the overhang of a circular bar.

How to Get Your Gun Safely Out of Your Mouth

How to Get Your Gun Safely Out of Your Mouth