Chapters (43)
- Cover
- Note to the Reader
- Acknowledgments
- Dedication
- Still Life
- Hum of the Machine God
- Athazagoraphobia: Fear of Being Ignored
- How to Disappear Completely
- Man Matching Description
- The Sky, Now Black with Birds
- Looks Like a Boy
- A Detroit Hum Ending with Bones
- On Metal
- Masticated Light
- On Gentleness
- Chionophobia: Fear of Snow
- The Boy Who Bathes the Dead
- Thalassophobia: Fear of the Sea
- Coming Back for You
- Hum of the Machinist’s Lover
- Hum for the Hammer
- Neat
- How to Get Your Gun Safely Out of Your Mouth
- And Even the Living Are Lost
- Aichmophobia: Fear of Needles
- I Do Have a Seam
- Triage
- The Man Who Paints Mountains and Helicopters
- Hum for the Stone
- The Girl Who Builds Rockets from Bricks
- Mechanophobia: Fear of Machines
- Pomegranate Means Grenade
- The God Engine
- Paper Frog on Spring
- Thinking Like a Split Melon
- If They Hand Your Remains to Your Sister in a Chinese Takeout Box
- Paper Crane on Letting Go
- Hum for the Bolt
- Paper Tiger to Wind
- Macrophobia: Fear of Waiting
- The Hum of Zug Island
- Ask What I’ve Been
- About the Author
May sandpaper be the rough
hand that rubs you smooth.
Be carved until the end of you is a wedge—
you already know the precision it takes
to fit well enough not to be dislodged.
Be a length of carbon-rich steel,
2,350° F in the open flame
before you are positioned between
two dies, let the pressure have
all of you until you are formed.
Have the flash cut from you;
excess is excessive. Be cooled in water,
not air. Don’t breathe. Drown.
Neat
Neat
Hidden by the overhang of a circular bar,
lies a man who’s seen the bottom of his tumbler.
No one is above being invisible,
not even me, with my shirt tidily pressed,
another man who’s seen the bottom of a tumbler.
Each swirl of scotch nudges closer to the rim.
Not even my shirt will stay tidy and pressed,
my tie cinched and secure. It’s waiting to unravel.
Each swig of scotch nudges me closer to a rim
every day, drops roll off the cliff of my parted lips.
My tie cinched and secure, I’m waiting to unravel,
waiting to spill into sleep—joints sore and speaking.
Day drops off a cliff. My lips part,
I drool on scuffs and bruises from boot and heel.
What I spill seeps, joins the floor, speaking
about straight shots taken to the head.
I’m all scuffle and bruises barely healed.
A swallow of whiskey won’t drown my questions.
Another shot won’t take me out of my head.
Why do I dress with this much care?
Swallow whiskey? Drown in questions?
Why a beard so prepared, ensemble so neat?
Why dress this carefully?
Why bother to drag a razor through the shadow
of a beard, prepare, assemble, neatly
tie a loop with no beginning or end, only
to be a bother, a draggled, razor-thin shadow,
hidden by the overhang of a circular bar.
How to Get Your Gun Safely Out of Your Mouth
How to Get Your Gun Safely Out of Your Mouth