Chapters (43)
- Cover
- Note to the Reader
- Acknowledgments
- Dedication
- Still Life
- Hum of the Machine God
- Athazagoraphobia: Fear of Being Ignored
- How to Disappear Completely
- Man Matching Description
- The Sky, Now Black with Birds
- Looks Like a Boy
- A Detroit Hum Ending with Bones
- On Metal
- Masticated Light
- On Gentleness
- Chionophobia: Fear of Snow
- The Boy Who Bathes the Dead
- Thalassophobia: Fear of the Sea
- Coming Back for You
- Hum of the Machinist’s Lover
- Hum for the Hammer
- Neat
- How to Get Your Gun Safely Out of Your Mouth
- And Even the Living Are Lost
- Aichmophobia: Fear of Needles
- I Do Have a Seam
- Triage
- The Man Who Paints Mountains and Helicopters
- Hum for the Stone
- The Girl Who Builds Rockets from Bricks
- Mechanophobia: Fear of Machines
- Pomegranate Means Grenade
- The God Engine
- Paper Frog on Spring
- Thinking Like a Split Melon
- If They Hand Your Remains to Your Sister in a Chinese Takeout Box
- Paper Crane on Letting Go
- Hum for the Bolt
- Paper Tiger to Wind
- Macrophobia: Fear of Waiting
- The Hum of Zug Island
- Ask What I’ve Been
- About the Author
and my name is asked again—I want to
screech out, Swan! I am only a swan.
The Sky, Now Black with Birds
The Sky, Now Black with Birds
If I say riot helmets outnumbered the protesters
who, after Troy Davis was executed, stuck around
to throw useless punches into the courthouse grass
while a woman near the forest of batons
lay sprawled facedown in the lawn gripping a Bible,
a green sea beginning to memorize
the shape of her grief—If I say Death,
cure death, and had such power over the scythe,
how many cranes would it take to lift her
out of this drowning?
If I tell you
Lawrence Brewer was executed
five hours earlier for the murder of James Byrd—
if I ask you to look for birds foraging
between Brewer’s intricate tattoos,
I don’t mean to distract you from the cross
that still burned on his arm that day.
I don’t expect you to stare into a graffiti
of iron crosses and spider webs scrawled
across flesh and find a thrush vibrating with birdsong,
but I want you to know why I listen for more
than the cawing of crows:
I wanted Brewer dead.
So dead, my tongue swelled fat with hexes, so fat
I wonder how forgive could ever fit inside my mouth.
Somehow it’s always there, fluttering in the larynx
of Ross Byrd—the man whose father was dragged,
urine soaked, by Brewer behind a truck.
Watch him say it.
Forgive.
I swear,
the word has feathers. I want
to learn to get its wings between my teeth
before more retribution
blots out the sky.
When I tell you
glare flickered off a cop’s visor
and startled a single crow away
from the murder that flapped the sky into inky pieces,
I want you to watch close enough
to notice the feathers aren’t black at all.
Like bruises and ink, they are
only this full-bodied purple—purple so rich
your eyes will still swear it’s black the next time
you see it spread out across sky. Watch it
spread like the flush of pancuronium bromide
into diaphragm, watch close enough to pinpoint
when the muscles lock.
If it is said the injection
is humane, we mean to say this
is humanity: no crack of rope, jerk
of limb, no bloated face, clenched jaw, or reek
rising twisted in smoke from a cooked torso—
we mean to say there is nothing to disturb
the nest between our ribs, there is nothing
to make a heartbeat rumble
like a murder of so many wings.
Looks Like a Boy
Looks Like a Boy
A Detroit Hum Ending with Bones
A Detroit Hum Ending with Bones
Glass above my bed trembles
at the touch of bass pouring thunder-thick
out of twelve-inch speakers and I almost don’t mind
being jolted awake because I know this song.
It’s not a favorite song, but I know it. Sometimes