Chapters (43)
- Cover
- Note to the Reader
- Acknowledgments
- Dedication
- Still Life
- Hum of the Machine God
- Athazagoraphobia: Fear of Being Ignored
- How to Disappear Completely
- Man Matching Description
- The Sky, Now Black with Birds
- Looks Like a Boy
- A Detroit Hum Ending with Bones
- On Metal
- Masticated Light
- On Gentleness
- Chionophobia: Fear of Snow
- The Boy Who Bathes the Dead
- Thalassophobia: Fear of the Sea
- Coming Back for You
- Hum of the Machinist’s Lover
- Hum for the Hammer
- Neat
- How to Get Your Gun Safely Out of Your Mouth
- And Even the Living Are Lost
- Aichmophobia: Fear of Needles
- I Do Have a Seam
- Triage
- The Man Who Paints Mountains and Helicopters
- Hum for the Stone
- The Girl Who Builds Rockets from Bricks
- Mechanophobia: Fear of Machines
- Pomegranate Means Grenade
- The God Engine
- Paper Frog on Spring
- Thinking Like a Split Melon
- If They Hand Your Remains to Your Sister in a Chinese Takeout Box
- Paper Crane on Letting Go
- Hum for the Bolt
- Paper Tiger to Wind
- Macrophobia: Fear of Waiting
- The Hum of Zug Island
- Ask What I’ve Been
- About the Author
tongue to nipple in a well-lit parking lot, swerved
into traffic while unbuttoning my shirt—
There is a woman
waiting for me to marry her or forget her name
forever — whichever loosens the ribbons from her hair.
I fill the bathtub for an enemy, lick the earlobe
of my nemesis. I try to dance like firelight
without setting anyone ablaze. I am leaning over
the railing of a bridge, seeing my face shimmer
on the river below — it’s everywhere now —
Look for me
in scattered windshield beneath an overpass,
on the sculpture of a man with metal skin grafts,
in patterns on mud-draggled wood, feathers
circling leaves in rainwater — look. Even the blade
of a knife holds my quickly fading likeness
while I run out of ways to say I am here.
How to Disappear Completely
How to Disappear Completely
You are quarter ghost on your mother’s side.
Your heart is a flayed peach in a bone box.
Your hair comes away in clumps like cheap fabric wet.
A reflecting pool gathers around your altar
of plywood subflooring and split wooden slats.
You are rag doll prone, contort,
angle and arc. Rot. Here you are
a greening abdomen, slipping skin,
flesh fly, carrion beetles. Here
where bullets found shelter,
where scythes found their function, breath lost
its place on the page, where the page was torn
out of every book before chapter’s close.
This is slippage, this is a shroud of neglect
pulled over the body, this
is your chance to escape.
Little wraith,
bend light around your skin until it colors you clear,
disappear like silica in a kiln, become
glass and glass beads, become
the staggered whir of an exhaust fan,
a presence only noticed
when gone. Become origami.
Fold yourself smaller
than ever before. Become less. More
in some ways but less
in the way a famine is less.
We will forgive you for not being
satisfied with fitting in our hands.
We will forgive you for dying to be
a bird diminutive enough
to fit in a mouth without being crushed.
Man Matching Description
Man Matching Description
Because the silk scarf could have cradled
a neck as delicate as that of a cygnet
but was instead used in last night’s strangling,
it is possible to marvel at the finish on handcuffs,
because I can marvel at handcuffs
pummeled by stones until shimmering,
the flashlight that sears my eyes
is too perfect to look away, because
a flashlight has more power on a southern roadside
than my name and blood combined
and there is no power in the very human
frequency range of my voice and my name is dead
in my mouth and my name is in a clear font on a license
I can’t reach for before being drawn down on,
because the baton is long against my window,
the gun somehow longer against my cheek,
the vehicle cold against my abdomen
as my shirt rises twisted in fingers