Chapters (43)
- Cover
- Note to the Reader
- Acknowledgments
- Dedication
- Still Life
- Hum of the Machine God
- Athazagoraphobia: Fear of Being Ignored
- How to Disappear Completely
- Man Matching Description
- The Sky, Now Black with Birds
- Looks Like a Boy
- A Detroit Hum Ending with Bones
- On Metal
- Masticated Light
- On Gentleness
- Chionophobia: Fear of Snow
- The Boy Who Bathes the Dead
- Thalassophobia: Fear of the Sea
- Coming Back for You
- Hum of the Machinist’s Lover
- Hum for the Hammer
- Neat
- How to Get Your Gun Safely Out of Your Mouth
- And Even the Living Are Lost
- Aichmophobia: Fear of Needles
- I Do Have a Seam
- Triage
- The Man Who Paints Mountains and Helicopters
- Hum for the Stone
- The Girl Who Builds Rockets from Bricks
- Mechanophobia: Fear of Machines
- Pomegranate Means Grenade
- The God Engine
- Paper Frog on Spring
- Thinking Like a Split Melon
- If They Hand Your Remains to Your Sister in a Chinese Takeout Box
- Paper Crane on Letting Go
- Hum for the Bolt
- Paper Tiger to Wind
- Macrophobia: Fear of Waiting
- The Hum of Zug Island
- Ask What I’ve Been
- About the Author
considering the clank of metal closing on metal,
but I still can’t help thinking of how much the frame
is like my frame. The mystery of my Chrysler’s right side
not responding—silent speaker, head lamp dead, window
sealed shut, frozen power door lock—is no more
mystifying than my left ear’s limited frequency range
or the left eye I’m now told is blind by a doctor
who huddles over me to assess some unknown damage.
Damage that is ongoing. A diminishment I’ll live with.
I don’t get cars, but I get this: how difficult it is to get
a wreck off cinder blocks and why my dad once fiddled
daily with a dead Camaro, refusing to believe its silence.
Masticated Light
Masticated Light
In a waiting room at the Kresge Eye Center
my fingers trace the outline of folded money
and I know the two hundred fifty dollars there
is made up of two hundred forty-five I can’t afford to spend
but will spend on a calm voice that can explain
how I can be repaired. Instead, the words legally blind
and nothing can be done mean I’ll spend
the rest of the week closing an eye to the world,
watching how easily this becomes that.
The lampposts lining the walk home
are the thinnest spears I’ve ever seen, a row of trash cans
becomes discarded war drums, and teeth
in the mouth of an oncoming truck
want to tear through me. Some of me
always wants to be swallowed.
The last thing my doctor said before I lost
my insurance was to see a vision specialist
about the way light struggles and bends
through my deformed cornea.
Before the exam I never closed my right eye
and watched the world become a melting watercolor
with the left. Before a doctor shot light
into the twitching thing, before I realized
how little light I could handle, I never
thought much of the boy who clawed up at me
from beneath my punches, how a fingernail scraped
the eye, or how it closed shut
like a door to a room I could never leave.
I could see the reflective mesh of his shoes,
the liquor bottle tossed in an arc
even before it shattered at my feet, and I am embarrassed
at how sharp my eyes were, how deft my body,
my limbs closing the distance—how easily
I owned his face, its fear and fought back tears—
all of it mine. I don’t want to remember the eyes
that glanced over shoulder just before
I dragged him like a gazelle into the grass
that was a stretch of gravel and glass
outside a liquor store. How easily this becomes that.
On a suspension bridge I close my bad eye
and it’s like aiming through a gunsight;
even the good eye is only as good as whatever glass
an optometrist can shape. I watch sundown