Chapters (43)
- Cover
- Note to the Reader
- Acknowledgments
- Dedication
- Still Life
- Hum of the Machine God
- Athazagoraphobia: Fear of Being Ignored
- How to Disappear Completely
- Man Matching Description
- The Sky, Now Black with Birds
- Looks Like a Boy
- A Detroit Hum Ending with Bones
- On Metal
- Masticated Light
- On Gentleness
- Chionophobia: Fear of Snow
- The Boy Who Bathes the Dead
- Thalassophobia: Fear of the Sea
- Coming Back for You
- Hum of the Machinist’s Lover
- Hum for the Hammer
- Neat
- How to Get Your Gun Safely Out of Your Mouth
- And Even the Living Are Lost
- Aichmophobia: Fear of Needles
- I Do Have a Seam
- Triage
- The Man Who Paints Mountains and Helicopters
- Hum for the Stone
- The Girl Who Builds Rockets from Bricks
- Mechanophobia: Fear of Machines
- Pomegranate Means Grenade
- The God Engine
- Paper Frog on Spring
- Thinking Like a Split Melon
- If They Hand Your Remains to Your Sister in a Chinese Takeout Box
- Paper Crane on Letting Go
- Hum for the Bolt
- Paper Tiger to Wind
- Macrophobia: Fear of Waiting
- The Hum of Zug Island
- Ask What I’ve Been
- About the Author
Because I didn’t know the welts on your arm
pulsed to show where a belt dug in,
I only compared them to my mother’s
red markings—a shoulder punished
by a tote bag loaded with books.
Now I know the groceries I helped deliver
across the threshold of a stale motel room,
the bread and sandwich meat in my hands,
were part of the contract that ensured
you’d never be able to explain to me
what bends and burns you like a spoon,
crushes you against the floor, what apparition
haunts you, whispering up your arm,
“Become my petite opening,
itching wound,
my collection of used-up veins.
My wraith, I’ve studied
your chasms.
None are too great. The answer
to the question
your rolled up sleeve asks
of God is yes. He does
have a point. I have come
to stitch all
this torn sky back together.”
I Do Have a Seam
I Do Have a Seam
Triage
Triage
A suture would be useless
and a tourniquet can’t choke off
blood when it spills
from this far up the inner thigh,
so the medic tells PFC ______
his hand will stay there,
pressing on that strip of fabric.
He promises the scarlet flag,
once surrender-white, will manage
to hold him firmly to the world.
He tells him sandboxes are filling up
with the trucks and bulldozers
of the soldier’s children
and army men with green heads jutting
from the sand. He repeats I won’t let go
whenever mortar fire whistles near
the field tent and the limbless
come on gurneys
from the fires. The flowers
are snapdragons; there is a garden
he will raise. As singed paper
flutters around them
like a veil-black snowfall, he has to
remind the soldier about the earth’s ability
to give life, to recover
from tilling and burning, about rivers
that fill seas that fill oceans
that throb with the electric blue
seahorse and ambling crabs.
The medic tells him, over the scrape
of men dragged off, some still twitching
with life, that he too will live—
another lie woven into the gauze
he’s been winding all day.
The Man Who Paints Mountains and Helicopters
The Man Who Paints Mountains and Helicopters
for Rodney Denne
You are not the choice,
no matter what it looks like today
even if the canvas calls you survivor
or whole. Remember there was no omen,
no rocket-shaped cloud to say
two Black Hawks would fill up
with the living only to be emptied
of the dead by your platoon
who went on foot
because you asked for a coin toss,
because you called it in the air
and nothing you can call god
or fate held that coin in its fist,
turned that face towards sky.
You say nothing divine
guided your hands into the debris
as you sorted metal from man
and found only wreckage,
rifled through fused dog tags
and welds of limbs, wondering
who began where. How