Contents (36)
- CONTENTS
- ACKNOWLEDGMENTS
- WHAT IT LOOK LIKE
- THE DEER
- HOW TO BE DRAWN TO TROUBLE
- NEW YORK POEM
- AS TRAFFIC
- WIGPHRASTIC
- MY LIFE AS A HUMMER
- GENTLE MEASURES1
- A CONCEPT OF SURVIVAL
- WHO ARE THE TRIBES
- BLACK CONFEDERATE GHOST STORY
- HOW TO DRAW AN INVISIBLE MAN
- BARBERISM
- THE CARPENTER ANT
- AMERICAN SONNET FOR WANDA C.
- LIKE MERCY
- A. MACHINE
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART I
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART II
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART III
- ELEGY WITH ZOMBIES FOR LIFE
- INSTRUCTIONS FOR A SÉANCE WITH VLADIMIRS
- THE ROSE HAS TEETH
- ANTEBELLUM HOUSE PARTY
- RECONSTRUCTED RECONSTRUCTION
- WE SHOULD MAKE A DOCUMENTARY ABOUT SPADES
- FOR CRYING OUT LOUD
- MODEL PRISON MODEL
- SOME MAPS TO INDICATE PITTSBURGH
- NEW JERSEY POEM
- SELF-PORTRAIT AS THE MIND OF A CAMERA
- HOW TO DRAW A PERFECT CIRCLE
- ARS POETICA FOR THE ONES LIKE US
- NOTES
Hardcore like the hardcore rappers paid to be
Wrapped in chains of rhyme and the arms of women
Working for men who want to fill the soft pockets
Of everything with something of themselves
A camera swelled the locks on my brother’s body
In the courtroom the way police lights swelled
Over the girls he trafficked miles for money
And taxed for gas back home and the protection
He offered them from the belligerent johns
And, when called for, protection from himself
Before the judge denied bail, the ruling
Was on the news: “Columbia man charged
With human sex trafficking,” he will live in a cell
With the beautiful solitude chained about his throat
Growing over time as permanent and illegible
As what has been scratched tooth and nail
Into the cells—the music I have been playing
All my life is about pimps and who will be pimped,
But when my daughter is listening, I play something else
WIGPHRASTIC
after Ellen Gallagher
Sometimes I want a built-in scalp
that looks and feels like skin. A form of camouflage,
protection against sunburn and frostbite,
horsehair that covers the nightmares and makes me civilized.
Somebody slap a powdered wig on me so I can hammer
a couple sentences like Louis XIV small and bald
as a boiled egg making himself taller by means
of a towering hairpiece resembling a Corinthian column
or maybe a skyscraping Kid with no Play wig
worn by someone playing N.W.A
at a penthouse party with no black people.
We up in the club humming Hmm-mmm, hey Mamma
while our numbskull caps underscore the brain’s captivity.
Somebody slap me. Norman Mailer’s essay
“The White Negro: Superficial Reflections on the Hipster”
never actually uses the word wigger. I’d rather say whack.
It may be fruitful to consider me a philosophical psychopath.
We clubbing in our wigs of pleas and longing.
The ladies wear wigs of nots,
knots of nots: would nots, do nots, cannots,
wigs dipped in dye swirl on their scalps, off their scalps,
sides of scalps, their center parts, and irrigated plaits.
Flirty bangs dangle below a bow clip of sparkle.
A lady places her bow about-face to place her face in place.
Which is a placebo of place, her face is a placebo!
Let’s wear ready-made wigs, custom-made wigs,
hand-tied wigs and machine-made wigs.
“No Negro can saunter down a street with any real certainty
that violence will not visit him,” wrote Mailer.
Bullets shout through the darkness. Dumb people are dangerous.
“Calamity pimps come out of the woodwork
and start to paddle their own canoes.”
This was a white dude’s response to the death of Martin.
Let’s beat that apathy wig off him.
Let’s get higher than God tonight like the military wives
of Imperial Rome smiling in the blond and red-haired wigs
cut from the scalps of enemy captives. Somebody slap me.
We awash in liquor watching the coils curl,
curls coil, coils coil, curls curl on the girls.
Nonslip polyurethane patches, superfine lace,