Contents (36)
- CONTENTS
- ACKNOWLEDGMENTS
- WHAT IT LOOK LIKE
- THE DEER
- HOW TO BE DRAWN TO TROUBLE
- NEW YORK POEM
- AS TRAFFIC
- WIGPHRASTIC
- MY LIFE AS A HUMMER
- GENTLE MEASURES1
- A CONCEPT OF SURVIVAL
- WHO ARE THE TRIBES
- BLACK CONFEDERATE GHOST STORY
- HOW TO DRAW AN INVISIBLE MAN
- BARBERISM
- THE CARPENTER ANT
- AMERICAN SONNET FOR WANDA C.
- LIKE MERCY
- A. MACHINE
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART I
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART II
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART III
- ELEGY WITH ZOMBIES FOR LIFE
- INSTRUCTIONS FOR A SÉANCE WITH VLADIMIRS
- THE ROSE HAS TEETH
- ANTEBELLUM HOUSE PARTY
- RECONSTRUCTED RECONSTRUCTION
- WE SHOULD MAKE A DOCUMENTARY ABOUT SPADES
- FOR CRYING OUT LOUD
- MODEL PRISON MODEL
- SOME MAPS TO INDICATE PITTSBURGH
- NEW JERSEY POEM
- SELF-PORTRAIT AS THE MIND OF A CAMERA
- HOW TO DRAW A PERFECT CIRCLE
- ARS POETICA FOR THE ONES LIKE US
- NOTES
I was trying to mimic the stain on a bed,
the sound of a woman’s soft, contracting bellow,
the answer to who I am. Before I trust the god
who makes me rot, I trust you, Piano.
Something deathless fills your wood. Because
I wanted to be invisible, I was trying to play
like a woman blacker than an unpaid light bill,
like a white boy lost in the snow. I wanted to be
a ghost because the skull is just a few holes
covered in meat. The skin has no teeth.
I was trying to play what I felt singing
in the mirror as a boy. I was trying to play
what I overheard: the old questions, the hunger,
the rattle of spines. The body that only loves
what it can touch always turns to dust.
What would a mother feel if her child sang
“Sometimes I Feel Like a Motherless Child”
too beautifully? A hole has no teeth.
A bird has no teeth. But you got teeth, Piano.
You make me high. You make me dance
as only a sail can dance its ragged assailable dance.
You make me believe there is good in me.
My lady, she dreams I am better than I am.
I was trying to play “Mouhamadou Bamba”
like a band of Africans named after a tree.
A tree has no teeth. A horn has no teeth.
Don’t chew, Piano. Don’t chew, sing to me,
you fine-ass lounging harp. You fancy engine
doing other people’s work. I was trying to play
the sound of an empty house because
that’s how I get by when the darkness in my body
starts to bleed. I was trying to play “Autumn Leaves”
because that’s what my lady’s falling dress
sounds like to me. Before you, Piano, I was just a rap
of knuckles on a windowsill. I am filled with the sound
of my lover’s breathing and only you can bring it out of me.
ANTEBELLUM HOUSE PARTY
To make the servant in the corner unobjectionable
Furniture, we must first make her a bundle of tree parts
Axed and worked to confidence. Oak-jawed, birch-backed,
Cedar-skinned, a pillowy bosom for the boss infants,
A fine patterned cushion the boss can fall upon.
Furniture does not pine for a future wherein the boss
Plantation house will be ransacked by cavalries or calvary.
A kitchen table can, in the throes of a yellow fever outbreak,
Become a cooling board holding the boss wife’s body.
It can on ordinary days also be an ironing board holding
Boss garments in need of ironing. Tonight it is simply a
Place for a white cup of coffee, a tin of white cream. Boss calls
For sugar and the furniture bears it sweetly. Let us fill the mouth
Of the boss with something stored in the pantry of a house
War, decency, nor bedeviled storms can wipe from the past.
Furniture’s presence should be little more than a warm feeling
In the den. The dog staring into the fireplace imagines each log