Contents ( 36)
- CONTENTS
- ACKNOWLEDGMENTS
- WHAT IT LOOK LIKE
- THE DEER
- HOW TO BE DRAWN TO TROUBLE
- NEW YORK POEM
- AS TRAFFIC
- WIGPHRASTIC
- MY LIFE AS A HUMMER
- GENTLE MEASURES1
- A CONCEPT OF SURVIVAL
- WHO ARE THE TRIBES
- BLACK CONFEDERATE GHOST STORY
- HOW TO DRAW AN INVISIBLE MAN
- BARBERISM
- THE CARPENTER ANT
- AMERICAN SONNET FOR WANDA C.
- LIKE MERCY
- A. MACHINE
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART I
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART II
- PORTRAIT OF ETHERIDGE KNIGHT IN THE STYLE OF A CRIME REPORT: PART III
- ELEGY WITH ZOMBIES FOR LIFE
- INSTRUCTIONS FOR A SÉANCE WITH VLADIMIRS
- THE ROSE HAS TEETH
- ANTEBELLUM HOUSE PARTY
- RECONSTRUCTED RECONSTRUCTION
- WE SHOULD MAKE A DOCUMENTARY ABOUT SPADES
- FOR CRYING OUT LOUD
- MODEL PRISON MODEL
- SOME MAPS TO INDICATE PITTSBURGH
- NEW JERSEY POEM
- SELF-PORTRAIT AS THE MIND OF A CAMERA
- HOW TO DRAW A PERFECT CIRCLE
- ARS POETICA FOR THE ONES LIKE US
- NOTES
Of the two partners, and the total is the number of books
That team must try to win. Is that not right? This is a game
That tests the boundary between mathematics and magic,
If you ask me. A bid must be intuitive like the itchiness
Of your upper lip before you sip strange whiskey.
My mother did not drink, which is how I knew something
Was wrong with her, but she held a dry spot at the table
When couples came to play. It’s a scene from my history,
But this probably should not be mentioned in our documentary
About Spades. Renege is akin to the word for the shame
You feel watching someone else’s humiliation. Slapping
A card down must be as dramatic as hitting the face of a drum
With your palm, not hitting the face of a drum with a drumstick.
You say there may be the sort of outrage induced
By liquor, trash talk, and poor strategy, but it will fade
The way a watermark left on a table by a cold glass fades.
I suspect winning this sort of game makes you feel godly.
I’m good and ready for whoever we’re playing
Against tonight. I am trying to imagine our enemy.
I know you are not my enemy. You say there are no enemies
In Spades. Spades is a game our enemies do not play.
FOR CRYING OUT LOUD
And I understand well now, it is beautiful
to be dumb: my tyrannical inclinations, my love
for the prodigal jocks aging from prime time
to pastime, the pixilated, plain people and colored folk
with homemade signs. Cutouts, cutups, ambushes,
bushwhackers. MC Mnemosyne shows up
around midnight like the undetectable dew
weighing down the leaves, and I’m like “Awww, shit!”
Why ain’t I dead yet
like the man who wanted to be buried
with the multimillion-dollar Van Gogh he bought?
(Members of the Arts League said no
because there was culture to be made into money.)
The volant statues of the aviary, the jabber-jawed
cable channels, and the book in which nothing is written
but the words everyone uses to identify things
that can’t be identified. Not that I ain’t spent
the last ten years of my life refining my inner cyborg.
Interview questions included: how did the DJ break his hands,
who’s gone to bury the morticians who bury the dead,
and what can one do about the sublime and awful music
of grade school marching bands?
Not that Neanderthals have a sense of the existential.
Me and my forty-leventh cousins lolling, and LOL-ing
like chthonic chronic smoke, like high-water suit pants
and extreme quiet. Everybody clap ya hands.
Like fit girls in fitted outfits, misfits who don’t cry enough,
who definitely don’t sob but keep showing up sighing.
Everyone loves to identify things that have not been identified.
The rabbit hole, wherever I find it, symbolizes solitude.
So that’s exciting. And an argument can be made
on behalf of athletes, rap stars, and various other brothers